Evening & Day Editions Wednesday, September 14, 2022

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257 Lots

101

Henri Matisse

Nu assis, bras gauche sur la tête (Nude Seated, Left Arm Overhead) (D. 497)

Danses (Dances) (B. 750, M. 246)

La poule (The Hen) (Bl. 694, Ba. 896)

Le vieux roi (The Old King) (Bl. 1152, Ba. 1338)

Colombe volant (à l'Arc-en-ciel) (Flying Dove in a Rainbow) (Bl. 712, M. 214)

Sirène et poisson, from Nice et la Côte d'Azur (Siren and Fish, from Nice and the French Riviera), by Charles Sorlier (M. & S. 28)

Untitled (Circular Movement) (S. 2)

Man Posing (H. 27, F. 44, T. 37)

Deuxième version du triptyque, 1944 (Second Version of the Triptych, 1944) (S. 24, T. 25)

Seated Figure (after, Seated Figure 1977) (S. 7, T. 32)

Study from Human Body (after, Study from Human Body 1987) (S. 8, T 30)

Triptych (after, Triptych: right panel 1991) (S. 9, T. 31)

Article | Editions

Specialist Picks: Hockney Meets the Artists of Evening & Day Editions

Six pairings linking Hockney to his Modern and Contemporary forebears.

Bands (Not Straight) in Four Directions (K. 1999.01)

Study of Dave, from Men in the Cities

Pop Shop I: one plate (L. p. 82)

Mao (wallpaper) (F. & S. 125A)

Red Lenin (F. & S. 403)

Saint Apollonia (F. & S. 330-333)

Queen Margrethe II of Denmark, from Reigning Queens (F. & S. 343)

La Vénus d'Alexandrie (Vénus bleue) (L. S41)

Water Lilies with Willows, from Water Lilies (C. 266)

View from the Window, from Landscapes (Gemini G.E.L. 1257, C. 215)

Article | Editions

Roy Lichtenstein: Pop Art Impressionist

"I smiled at the idea of making a mechanical Monet." – Roy Lichtenstein

125

Grayson Perry

Print for a Politician (Violet)

Your Smell, from The Wonder of You

Ala Met, from 40 Woodcut Spots

Bromobenzotrifluoride, from 12 Woodcut Spots

Tryptophan, from 12 Woodcut Spots

2737 I'm about to catch my breath, from The Currency

The Empresses (H. 10)

Air, from The Elements (H6-7)

Grace, from The Aspects (H6-2)

Patience, from The Aspects (H6-3)

Earth, from The Elements (H6-6)

Cafe Royal, from Colour Space (H5-7)

Abstraktes Bild (Abstract Painting) (after Abstraktes Bild, 1992)

Capri-Batterie (Capri Battery) (S. 546)

Pumpkin 2000 (Green) (K. 300)

Cynthia in the Bedroom

Carmen, from Black Dress

Christy, from Black Dress

Turbo Tears, from Tate Modern 21 Years Print Portfolio

Archaeopteryx Lithographica; and Dilophosaurus Wetherilli

Pink Bow, from Celebration Series

Chope visage (Pitcher Face) (R. 432)

Visage no. 0 (Face no. 0) (R. 458)

Visage no. 197 (Face no. 197) (R. 494)

L'ecuyère et les clowns (The Horsewoman and the Clowns) (Bl. 842, M. 304)

Portrait de Piero Crommelynck II (Portrait of Piero Crommelynck II) (Bl. 1378, Ba. 1400)

Cirque: écuyère, femmes et spectateurs, dont un garagiste déguisé (Circus: Horsewoman, Women and Spectators, Including a Disguised Mechanic), plate 43 from 347 Series (Bl. 1523, Ba. 1539)

Visiteur Rembranesque chez une courtisane folâtre (Rembrandtesque Visitor to a Playful Courtesan), plate 74 from 347 Series (Bl. 1554, Ba. 1570)

Cavalier en visite chez une fille, avec la Célestine et un petit chien (Cavalier Visiting a Girl, with Celestine and a Small Dog), plate 162 from 347 Series (Bl. 1642, Ba. 1658)

Peintres aux champs: autour du XIXe Siècle et de Courbet (Field Painters: Around the 19th Century and Courbet), plate 327 from 347 Series (Bl. 1807, Ba. 1824)

La fête de la patronne, petit chien, fleurs et potins, portrait de Degas au mur (Patron Saint's Day, Little Dog, Flowers and Gossip, Portrait of Degas on the Wall), plate 129 from Séries 156 (Bl. 1984, Ba. 1994)

Filles entre elles, la sous-maîtresse (The Women Amongst Themselves, the Madam), plate 134 from Séries 156 (Bl. 1989, Ba. 1999)

Tristan et Iseult (Tristan and Isolde) (M. & L. 406-426)

Le roi des lapins (The Rabbit King) (D. 1130)

Pierrot le Fou (M. 392)

La bauge du sanglier (The Lair of the Wild Boar), plate II from Haï-Ku (M. 551, C. 118))

Ouvrage de vent II (Work of the Wind II) (D. 343)

Fissures (Cracks): plate X (D. 463)

Crapaud lyre (Lyre Toad) (D. 389)

Gravures pour une exposition (Engravings for an Exhibition): plate 2 (D. 607)

Crimson Ground (A.A.A. 73)

Orange Oval (A.A.A. 72)

Suite Schwurhand (Suite Oath Hand): three plates (S. 345, 361, 363)

Head of G.B., from Heads and Figures (M. 13)

Seated Figure, from Heads and Figures (M. 10)

Terres dalmates (Dalmatian Lands); Untitled; Untitled (Purple and Blue); Untitled; and Untitled

Arc blau (Blue Bow) (G. 288)

T inclinada (T Inclined) (G. 293)

Axo AB (B. & V. 1874)

Veiled Sail (L. L. 105)

Chinese Wall (L. L. 101)

The Five Continents in Wintertime (L. I. 55)

Two Asymmetrical Pyramids: Plate 1 (K. 1986.04)

Two Asymmetrical Pyramids: Plate 3 (K. 1986.04)

Untitled (Betty Parsons Gallery Announcement) (O. & T. 1090)

Africa Suite: five plates (E. & B. 70-71; 75; 77-78, B. 41-42; 46; 48-49)

Africa Suite: Africa 2 (E. & B. 70, B. 41)

The Basque Suite: six plates (E. & B. 79,-80, 84-87, B. 50-51, 55-58)

The Basque Suite: one plate (E. & B. 79, B. 50)

Untitled (Orange/Pink), from London Series II (E. & B. 94, B. 65)

Roth-Händle II (Olive) (E. & B. 188)

Corrida III-V (W. 80-82); and Rejoneadora II-III (W. 84-85), from Corrida

The Wren's Nest; Field Day; Stepney Green; Cob Study; Mule; Cup and Quill; and Jolly Dog

Kouros II; Frauenbildnis (Monique); Fische (Fish); and Schildkroten (Turtles) (W. & W. 450, 362, 518, 523)

The Crooked Rose; and Poem on his Birthday, from Twelve Lithographs for Six Poems by Dylan Thomas (S. 48; 57); Clair de Lune (S. 61); and Peu à Peu Sortant de la Brume (Gradually Emerging from the Mist) (S. 62)

Jets; Holland; and Les Baux (T. 287; 310; 305)

Four Reclining Figures (C. 282)

Aquileia, from Architectural Suite (L. 12, C. 31)

Moonshine (L. 31, C. 53)

Cup and Pan Blues (A. 27)

White Bowl, Black Pan on Brown (A. 29)

The New York Suite: three plates; Untitled (Red); and Ochre-Pink

Demetrius' Ladder; Delphic Oracle; and Proscinèmi, for Demeter, from Proscinèmi Oracles

Transparency, Che Guevara II and I, October 9th 1967

Bela Lugosi Journal II; and Snow White and the Black Dwarf

Arcs Within a Square; and Triangles Within a Square (B. 56-62, 71-74)

Series 8 Vertical Tri Motif C-F and H-J (B. 105-108, 110-112)

E. Quoined Chase; F. Mitred Matrix; C. Vertical Screen; and A. Ladder Box (B. 41, 48, 45, 43)

Untitled (Red Yellow & Blue)

Blue Suspended Form (K. 54)

Ridged Jar; and Dressed Lobster (C. 58; 63)

The London Suite: nine plates

Illustrations to Through the Looking-Glass

Girl in a Poppy Field; Costume Life Drawing; and Costume Life Drawing (Yellow Hat)

The Road to Rio, from Official Limited Edition Prints for Team GB at the Rio 2016 Olympic Games

Kew, from Veils (H4-6)

Psalm: Miserere Mei Deus

The Souls IV - Emerald Green/Burgundy/Cool Gold

The Souls II - Loganberry Pink/Cornflower Blue/Silver Gloss

Norleucine, from 12 Woodcut Spots

Quinaldic Acid, from 12 Woodcut Spots

Cyclizine, from 12 Woodcut Spots

N-Methyl L-Aspartic Acid

Controlled Substances Key Spot

'Till Death Us Do Part - Heavenly Peppermint Green Silver Gloss Racing Green Skull

'Till Death Us Do Part - Time Bright Orange African Gold Emerald Green Pop Up Skull

Mushroom, from The Last Supper

Liver, Bacon & Onions, from The Last Supper

Sandwich, from The Last Supper

Justice, from The Virtues (H9-1)

Courage, from The Virtues (H9-2)

Honour, from The Virtues (H9-6)

Etched Lines: Multicoloured on Black

One Small Step (S. 70)

Composition with Circles 5 (S. 63)

50 Spaces, from Tate Modern 21 Years Portfolio

On My Knees, from Tate Modern 21 Years Portfolio

Exploration of the Soul

Love Is What You Want

Figures in a Landscape (Q5)

L'Apocalypse Arabe (The Arab Apocalypse)

L'Express Beyrouth-Enfer (Beirut-Hell Express)

Blue with Black II (Gemini G.E.L. 534, A. 98)

Imitations; Things Seen; The Trace; Concerning the Meal; and The Party

Samarkand Stitches #I, from Samarkand Stitches (Gemini G.E.L. 1404)

The Last Civil War Veteran

Electric Chair (F. & S. 74)

Electric Chair (F. & S. 75)

Electric Chair (F. & S. 76)

Electric Chair (F. & S. 77)

Electric Chair (F. & S. 82)

U. N. Stamp (F. & S. 185)

Pop Shop I: one plate (L. p. 82)

Andy Warhol, Cow Wallpaper

Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts)

Life Mask (Gemini G.E.L. 941, C. 41)

Crazy (With Background Noise) (K. 2018.02)

MORE TROUBLE THAN THOUGHT, from Tate Modern 21 Years Portfolio

Paintings and Drawings 1974-1990

As If Eleven, from Tate Modern 21 Years Portfolio

Carracci Flower, from Tate Modern 21 Years Portfolio

Knäckebröd (Crispbread) (P. 7)

London Knees (E.A. 677, A. & P. 51)

Escape Artist (Green and Red)

Bijou Gets Undressed. 6 (C. 55)

Bijou Gets Undressed. 7 (C. 56)

Boats 2, from Nature 2 (C. 298)

Carp, from Nature 2 (C. 299)

Rain Footsteps Siren, from Eight Landscapes (C. 18)

Lexikonzeichnung (2. Serie: Mensch) [Lexicon Drawing (2nd Series: Human)], from Door Cycle

Solid (Edition No. 31)

Peter Fischli and David Weiss

I Am Elegant, I Am Oh So Very Very Elegant

You Will Not Stop Me From Singing My Song

My Artwork is Terrible and I Am a Very Bad Person

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257 Lots

Specialist Picks: Hockney Meets the Artists of Evening & Day Editions

Roy Lichtenstein: Pop Art Impressionist