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3

Anni Albers

Four works: (i) Triangulated Intaglio II; (ii) Triangulated Intaglio III; (iii) Triangulated Intaglio IV; (iv) Triangulated Intaglio V

Estimate
$6,000 - 9,000
Lot Details
(i, ii) etching and aquatint on white Arches Cover paper
(iii, iv) etching on white Arches Cover paper
(i) signed, numbered and dated "14/20 - II Anni Albers 1976" lower margin; further blindstamped with the publisher's mark lower right
(ii) signed, numbered and dated "14/20 - III Anni Albers 1976" lower margin; further blindstamped with the publisher's mark lower right
(iii) signed, numbered and dated "A.P. 7/9 - IV Anni Albers 1976" lower margin; further blindstamped with the publisher's mark lower right
(iv) signed, numbered and dated "15/20 - V Anni Albers 1976" lower margin; further blindstamped with the publisher's mark lower right
(i) image 12 x 10 7/8 in. (30.5 x 27.6 cm.); sheet 23 7/8 x 20 in. (60.6 x 50.8 cm.)
(ii) image 13 7/8 x 12 in. (35.2 x 30.5 cm.); sheet 24 x 20 1/8 in. (61 x 51.1 cm.)
(iii) image 12 x 10 7/8 in. (30.5 x 27.6 cm.); sheet 23 7/8 x 20 in. (60.6 x 50.8 cm.)
(iv) image 12 x 10 7/8 in. (30.5 x 27.6 cm.); sheet 24 1/8 x 20 1/8 in. (61.3 x 51.1 cm.)
(i, ii) Executed in 1976, this work is number 14 from an edition of 20 plus 9 artist's proofs and 1 printer's proof, published by Tyler Graphics, New York.
(iii) Executed in 1976, this work is artist's proof number 7 from an edition of 20 plus 9 artist's proofs and 1 printer's proof, published by Tyler Graphics, New York.
(iv) Executed in 1976, this work is number 15 from an edition of 20 plus 9 artist's proofs and 1 printer's proof, published by Tyler Graphics, New York.

Anni Albers

German-American | B. 1899 D. 1994
Anni Albers was a German-American artist. Born Anni Fleischmann in Berlin, her interest in art was encouraged from a young age, and she enrolled in the famous Bauhaus in 1922. While there, she began to pursue weaving and textile-based works, blurring the line between fine art and craft. Though this medium would come to define Albers’ practice, at the time it was the only course at the Bauhaus that allowed women to enroll. In her second year, she managed to get herself into a stained glass workshop where she met her husband, fellow artist and educator Josef Albers. The pair emigrated to the United States in 1933 due to rising tensions in Europe. Though they encouraged each others’ work, Josef and Anni never collaborated on projects together. Later in life, Albers became a prolific printmaker. As in her textile work, her prints are characterized by bold geometric patterns and an inventive use of color. Living in the United States afforded her the opportunity to travel extensively in Mexico and South America, where she became interested in and inspired by Pre-Columbian art. Albers passed away in 1994 in her adopted home of New Haven, CT.
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