"The wall sculpture is an extemporary action on an everyday object like media images. Everyday object like the shoes and the bicycle. (Like simple words when you try to learn a new language.) The definitive form of the black form on the wall was not predicted and its fragile relation with the upsidedown image is the research of an incompatible co-existence. The title of the work is in relation to the Piraha tribe and the actual incompatibility between their language and ours." — Christian Frosi, 2006