216
Cindy Sherman
Five works: i) Untitled #341; ii) Untitled #343’ iii) Untitled #345; vi) Untitled #334; v) Untitled #355
- Estimate
- £20,000 - 30,000
£21,250
Lot Details
i), ii), iii), vi) gelatin silver print
v) c-print
v) c-print
i) signed, numbered and dated 'Cindy Sherman 1999 4/10' on the reverse
ii) signed, numbered and dated 'Cindy Sherman 1999 5/10' on the reverse
iii) signed, numbered and dated 'Cindy Sherman 1999' 9/10 on the reverse
iv) signed, numbered and dated 'Cindy Sherman 1999 2/10' on the reverse
v) signed, numbered and dated 'Cindy Sherman 2000 6/6' on the reverse
ii) signed, numbered and dated 'Cindy Sherman 1999 5/10' on the reverse
iii) signed, numbered and dated 'Cindy Sherman 1999' 9/10 on the reverse
iv) signed, numbered and dated 'Cindy Sherman 1999 2/10' on the reverse
v) signed, numbered and dated 'Cindy Sherman 2000 6/6' on the reverse
i) 96.2 x 66.5 cm (37 7/8 x 26 1/8 in.)
ii) 101.2 x 69.5 cm (39 7/8 x 27 3/8 in.)
iii) 70 x 103 cm (27 1/2 x 40 1/2 in.)
iv) 128 x 86 cm (50 3/8 x 33 7/8 in.)
v) 107 x 76.5 cm (42 1/8 x 30 1/8 in.)
ii) 101.2 x 69.5 cm (39 7/8 x 27 3/8 in.)
iii) 70 x 103 cm (27 1/2 x 40 1/2 in.)
iv) 128 x 86 cm (50 3/8 x 33 7/8 in.)
v) 107 x 76.5 cm (42 1/8 x 30 1/8 in.)
i) Executed in 1999, this work is number 4 from an edition of 10.
ii) Executed in 1999, this work is number 5 from an edition of 10.
iii) Executed in 1999, this work is number 9 from an edition of 10.
iv) Executed in 1999, this work is number 2 from an edition of 10.
v) Executed in 2000, this work is number 6 from an edition of 6.
ii) Executed in 1999, this work is number 5 from an edition of 10.
iii) Executed in 1999, this work is number 9 from an edition of 10.
iv) Executed in 1999, this work is number 2 from an edition of 10.
v) Executed in 2000, this work is number 6 from an edition of 6.
Specialist
Full-Cataloguing
Provenance
Exhibited
Literature
Cindy Sherman
American | 1954Seminal to the Pictures Generation as well as contemporary photography and performance art, Cindy Sherman is a powerhouse art practitioner. Wily and beguiling, Sherman's signature mode of art making involves transforming herself into a litany of characters, historical and fictional, that cross the lines of gender and culture. She startled contemporary art when, in 1977, she published a series of untitled film stills.Through mise-en-scène and movie-like make-up and costume, Sherman treats each photograph as a portrait, though never one of herself. She embodies her characters even if only for the image itself. Presenting subversion through mimicry, against tableaus of mass media and image-based messages of pop culture, Sherman takes on both art history and the art world.Though a shape-shifter, Sherman has become an art world celebrity in her own right. The subject of solo retrospectives across the world, including a blockbuster showing at the Museum of Modern Art, New York, and a frequent exhibitor at the Venice Biennale among other biennials, Sherman holds an inextricable place in contemporary art history.
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