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ULTIMATE

33

Irving Penn

Woman in Feather Hat, New York

£30,000 - 50,000‡︎
Live 16 April, 1 PM United Kingdom Time
Lot Details
signed, initialled, titled, numbered, dated and annotated '3627, Woman in Feather Hat (New York, Nov. 1991) Irving Penn 5/7', credit and Condé Nast copyright credit reproduction limitation stamps on the reverse of the aluminium flush-mount
platinum-palladium print, mounted
image 49.6 x 47.7 cm (19 1/2 x 18 3/4 in.)
sheet 66.2 x 56 cm (26 1/8 x 22 in.)
frame 85.3 x 80 cm (33 5/8 x 31 1/2 in.)
Photographed in November 1991 and printed in October 1992, in the United States.

This work is number 5 from the edition of 7. Other prints from the edition are held in various collections. This image is exceptionally rare to auction, having appeared only once previously, over 15 years ago.

PROPERTY FROM A PRIVATE GERMAN COLLECTION

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Further Details

Irving Penn

American | B. 1917 D. 2009

Irving Penn was one of the 20th century’s most significant photographers, known for his arresting images, technical mastery, and quiet intensity. Though he gained widespread acclaim as a leading Vogue photographer for over sixty years, Penn remained a private figure devoted to his craft. Trained under legendary art director Alexey Brodovitch in Philadelphia, he began his career assisting at Harper’s Bazaar before joining Vogue in 1943, where editor and artist Alexander Liberman recognized Penn’s distinctive eye and encouraged him to pursue photography. Penn’s incomparably elegant fashion studies reset the standard for the magazine world, and his portraits, still lifes, and nude studies broke new ground. His 1960 book Moments Preserved redefined the photographic monograph with its dynamic layout and high-quality reproductions. In 1964, Penn began printing in platinum and palladium, reviving this 19th-century process to serve his own distinct vision. An innovator in every sense, Penn’s approach to photography was endlessly adventurous. Few photographers of his generation experimented as widely with both conventional and historic print processes, and none achieved Penn’s level of excellence in all.

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