253
Manuel Álvarez Bravo
Manuel Álvarez Bravo
- Estimate
- $18,000 - 22,000
$27,500
Lot Details
Geneva: Acorn Editions Limited, 1977. Fifteen gelatin silver prints.
Each approximately 7 1/2 x 9 1/4 in. (19.1 x 23.5 cm) or the reverse.
Each signed, annotated 'Mexico' and numbered 97/100 in pencil on the verso. Title page. Colophon.
Specialist
Full-Cataloguing
Catalogue Essay
Titles in plate order:
Arena y pinitos (Sand and Pines), 1920s; Paisaje de Siembras (Growing Landscape), 1972-1974; Votos (Votive Offering), 1969; Luz Restirada (Lengthened Light), 1944; Dos Mujeres y la Gran Cortina con Sombras (Two Women, a Large Blind and Shadows), 1977; Acto Primero (First Act), 1975; Caja de Visiones (Box of Visions), 1930s; Señor de Papantla (The Man from Papantla), 1934-1935); Los Perros durmiendo ladran (Sleeping Dogs Bark), 1966; Dos pares de piernas (Two Pairs of Legs), 1928-1929; "Un Pez que llaman Sierra" ("...A Fish Called Saw"), 1942; Ya Mero (Almost), 1968; Gorrión, Claro (Skylight), 1938-1940; Umbral (Threshold), 1947; Retrato de lo Eterno (Woman Combing Her Hair), 1932-1933
Arena y pinitos (Sand and Pines), 1920s; Paisaje de Siembras (Growing Landscape), 1972-1974; Votos (Votive Offering), 1969; Luz Restirada (Lengthened Light), 1944; Dos Mujeres y la Gran Cortina con Sombras (Two Women, a Large Blind and Shadows), 1977; Acto Primero (First Act), 1975; Caja de Visiones (Box of Visions), 1930s; Señor de Papantla (The Man from Papantla), 1934-1935); Los Perros durmiendo ladran (Sleeping Dogs Bark), 1966; Dos pares de piernas (Two Pairs of Legs), 1928-1929; "Un Pez que llaman Sierra" ("...A Fish Called Saw"), 1942; Ya Mero (Almost), 1968; Gorrión, Claro (Skylight), 1938-1940; Umbral (Threshold), 1947; Retrato de lo Eterno (Woman Combing Her Hair), 1932-1933
Provenance
Literature