PROPERTY SOLD TO BENEFIT THE IAN PARRY SCHOLARSHIP

103

Sebastião Salgado

Brazil

£6,000–8,000♠︎
£5,292
1986
Gelatin silver print, printed later.
28.3 x 42 cm (11 1/8 x 16 1/2 in.)
Credit blindstamp in the margin; signed, titled and dated in pencil on the verso.
Arguably one of the most iconic photographs ever taken, Brazil, 1986 is from Brazilian social documentary photographer Sebastião Salgodo’s epic body of images shot at the Serra Pelada gold mine. It was first published in the Sunday Times Magazine and later in his book Sebastião Salgado: Gold, published by Taschen in 2018. His images of the mine are part of a larger series Workers: An Archaeology of the Industrial Age 1986–92 that includes 313 photographs from 42 types of workplace in 26 countries. As well as producing individual prints of the images in this series, Salgado compiled them into a book of the same title in 1997.

Prior to becoming a photographer, Sebastião Salgado (b.1944) was a Marxist economist and activist. His work at the International Coffee Organization in London required him to make frequent trips to Africa, and his desire to document these experiences sparked his interest in photography. By 1974, he was freelancing as a photojournalist for the Sygma agency in Paris. Salgado has won many honours for his work, among them the Eugene Smith Award for Humanitarian Photography, two ICP Infinity Awards for Journalism, the Erna and Victor Hasselblad Award and the Arles International Festival's prize for best photography book of the year for Workers (1993).

Sebastião Salgado

Brazilian/French

Born in Brazil and trained as an economist, Sebastião Salgado (1944-2025) first grew interested in photography during his frequent work trips to Africa for his job at the International Coffee Organization (ICO). Struck by his desire to document these journeys, he left the ICO in the early 1970s to become a professional photographer. Throughout his decades-long career, Salgado turned his camera on diverse subjects across the globe, suffusing each of his photos with a distinctive, empathetic humanist vision. Refugees in Tanzania, victims of the Sahel Famine, and indigenous Amazonian communities are all immortalized in these epic, black-and-white images. Although Salgado started out working for various photo agencies, including Sygma and Magnum, he later pivoted to long-term, self-assigned documentary series. Among these series include Salgado's harrowing images of firefighters battling oil fires during the Gulf War, his powerful depiction of the brutal working conditions in the Serra Pelada gold mine, and his illuminating photographs of the pristine natural world. Salgado’s uncanny ability to capture harsh social, economic, and environmental situations while still maintaining the dignity of his subjects illustrates his unparalleled skill as a documentary photographer.



 

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