Nina Piro
\nSpecialist
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CHRISTEN DALSGAARD Young Girl Writing (Ung pige, der skriver), $3,000-5,000

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CARL LOCHER Fishermen by a Wreck Near Kandestederne (Fiskere ved vrag ud for Kandestederne), $5,000-7,000

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L.A. RING By the Village Pond at Baldersbrønde (Ved gadekoeret i Baldersbrønde), $10,000-15,000

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H.A. BRENDEKILDE Winter (Ved Vintertid), $5,000-7,000

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J.L. JENSEN Dahlias, Asters, and Hollyhock on a Sill (Georginer, asters og stokroser på en karm), $3,000-5,000

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JOHAN PETERSEN American Frigate at Anchor (Amerikansk fregat for anker), $5,000-7,000

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EMIL ROSENSTAND Young Girl in Front of a Mirror (Ung pige foran spejlet), $6,000-8,000

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O.D. OTTESEN Roses and Ipomoea (Rose og Ipomea, Roserne Marskal Niel og Monsieur Bonsenne), $2,000-4,000

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F.C. KIÆRSKOU View from Dyrehaven over the Sound to the Outflow of Mølleåen (Udsigt fra Dyrehaven over Sundet ved Mølleåens udløb), $1,000-2,000

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P. C. Skovgaard, Forest with a Herd of Fallow Deer and Two Girls (Skov med rudel dådyr og to piger), 1854. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

\n\n

As U.S. ambassador to Denmark during the 1980s, John L. Loeb, Jr. expressed his admiration for his host nation through a remarkable collection of 19th century Danish art. The works span expansive landscapes, intimate domestic interiors, and seascapes bathed in Nordic light, as well as vivid portraits and scenes of daily life in the capital and countryside. It is within this grand survey that Ambassador Loeb recalls how Denmark's essence revealed itself to him, completely and quietly, through the eyes of its artists, and how, in the decades since, the country and its Golden Age continue to inspire reflection. Read our full interview with Ambassador Loeb below, and browse the full complement of works in The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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Jeremiah Evarts: When you first arrived in Copenhagen and walked the halls of Rydhave, what did you feel in those quiet evenings?

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Ambassador John L. Loeb, Jr.: I arrived in Denmark, excited to begin this new adventure as the U.S. Ambassador to this wonderful country. And, unlike other countries in Europe, a place I didn’t know much about when I began my tour there.

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I spent my first evening in Denmark with my children. Alexandra was about to go into her second year at Harvard, and Nicholas was six years old. After they went to bed that night, and during the next few days, I would walk through the house to clear my thoughts after extremely busy days. My evenings ended quietly, and my thoughts would drift to the empty walls of this big home.

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Carl Locher, Fishermen by a Wreck Near Kandestederne (Fiskere ved vrag ud for Kandestederne), 1872. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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I grew up in a similar house full of beautiful art, and I immediately thought about what American Art I would want to put on the walls. While I was living in the States, I had, in fact, started to collect contemporary American art. So I have to admit, my first plan was to fill the empty walls with American art.

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Of course, Jeremiah, as fate would have it, and as you well know, that idea soon changed; otherwise, I wouldn’t be sitting here with you today as the largest collector in the world, outside the Danish museums, of Danish art.

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Christen Købke, The Sculptor Bertel Thorvaldsen (Copy of the upper section of C. W. Eckersberg’s painting of 1814, presented to the Royal Danish Academy of Fine Arts) (Portræt af billedhuggeren Bertel Thorvaldsen (Kopi efter den øverste del af C.W. Eckersbergs maleri fra 1814, skænket Det danske Kunstakademi)), circa 1828. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: You’ve written that being alone led you into art galleries and to friendships with Danish artists. Can you tell me about that turning point? And how did Jacob Asbæk’s gallery open a new world for you?

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AL: The second weekend I was in Copenhagen, I went to Jacob Asbæk gallery by myself — I had heard it was one of the foremost contemporary art galleries in Denmark. I found a lot of young people there — all friendly — all involved in art: Artists, art collectors, art students — it ran the entire gamut.

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His gallery opened up a new world for me — a Danish World. I felt comfortable in this environment of warm conversation, light drinks and light food. I felt drawn to be a part of it. I had already begun buying art in the States, both in New York City, Palm Beach, and in London. I wanted to learn more about Denmark, I wanted to learn more about the Danish people and their art.

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Michael Ancher, Potato Harvest (Kartoffelhøst), 1901. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: When you began receiving catalogues from Bruun Rasmussen, what was it that drew you to 19^th-century Danish painting, as opposed to the contemporary art you first encountered?

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AL: After I began living in Denmark, I started to receive catalogues of 19th century Danish art from Bruun Rasmussen auction house. At that time, they were the premier auction house for art and collectibles in Denmark. Having heard I was a lover of art, they reached out to me to encourage my interest in their auction house.

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I was immediately drawn to their beautifully prepared catalogues. The art itself was also beautiful. It was art I felt comfortable with, and comforted by. It was art I could live with every day. It was art I wanted to live with every day. Contemporary art did not resonate with me. I bought 19th century Danish art quite simply because I liked it. I never felt that way about contemporary art.

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It wasn’t a cerebral decision; it was a visceral one. I lived all of my adult life in a high-powered environment, so when I stepped into a room of Danish art — I stepped into a quiet, calm space. It made such an impact on me.

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Laurits Tuxen, Preparatory study for "Digging for Worms on the Beach" from 1880, Cayeux-sur-Mer (Forarbejde til “Ormegravere på stranden"), 1880. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: You’ve said Hirschsprung became your ‘mentor,’ though he’d been dead for 75 years. What did you learn from his collection that guided your own?

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AL: A few weeks after the Bruun Rasmussen catalogues arrived at the Embassy, I was invited to visit the Hirschsprung Museum. It is a museum which is similar to the Frick in New York City. This understated, though substantial, building housed magnificent examples of 19th century Danish art that have acted as the conduit through which Mr. Hirschsprung guided me from the grave, in my collecting, all these years. His great eye for 19th century Danish art was the standard to which I aspired in my collecting.

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Jens Juel, Portrait of Princess Louise Augusta of Denmark in Turkish Dress (Portrait af prinsesse Louise Augusta i tyrkisk dragt), 1785–1786. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: Your decision to focus on artists represented in the Hirschsprung Collection gave you a kind of compass. What did that discipline mean to you as a collector?

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AL: After my first visit to the Museum, I would go back many times to study the works Hirschsprung collected. The discipline Hirschsprung’s collection provided me kept my collecting on track, as I rarely collected any Danish artists who were not represented in his collection.

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Over the years, I’ve acquired more than 200 works of Danish art. Of that total, I have probably owned only six artists (including non-Danish ones) who were not represented in his collection.

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Wilhelm Marstrand, A Lady Going Ashore from a Gondala (En dame stiger i land fra en gondol), 1854–1870. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: You wrote that your collection began simply because you were alone. How did art become companionship for you during those years?

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AL: At first, I did not expect that my buying Danish Art would turn into a major passion. I began buying Denmark’s art because it gave me a way to learn about the country, its people, and its culture. It was even a history lesson at times, especially once I fell in love with 19th century art, instead of its contemporary counterpart. I sought out books — of course, written in English — about that period of art and about the well-known artists who painted during that era.

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Later, when my collection became truly substantial, I commissioned some of the top Danish scholars of the 19th century to write the text for the catalogue of my entire collection. It has become a treatise that art students now look to for scholarly texts on the artists of that period. This is something that I am very proud of because I have contributed to the scholarly learning of Danish art that can be used outside of Denmark by those who want to know more about this beautiful Scandinavian art.

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C. W Eckersberg, Naval Frigate under Sail (Orlogsfregat under sejl), circa 1810–1820. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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Johannes Wilhjelm, Young Girls at Skagen Beach (Unge piger på Skagens Sønderstrand), 1916. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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J. L. Jensen, Still Life of Fruits with Pineapple (Frugstykke, opstilling med ananas, blå og grønne druer i en kurv og ferskener på en stenkarm), 1833. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: You’ve described your Danish collection as the largest outside Denmark’s museums. What do you hope people feel when they stand before these works?

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AL: I hope when they stand before an exhibition of my works, they’ll sense the beauty in the people and the land — the countryside, the seaside, and the cities — that I feel when I look at these paintings.

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Christen Dalsgaard, Young Girl Writing (Ung pige, der skriver), 1871. The Collection of Ambassador John L. Loeb, Jr.: Online Auction.

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JE: What does it mean to you for this collection to now be seen by the world beyond Denmark?

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AL: Of course, I hope the auction will be a success, and that these works, which I have grown to love, will be shared by those who acquire them after me.

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I also hope the upcoming auction will continue to shine a light on the artists of this wonderful Scandinavian country and highlight their paintings of this particular period, which I so love. I hope it will encourage more interest in Denmark’s art, its people, and its land.

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Discover more from Modern & Contemporary Art >

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Vilhelm Hammershøi, Courtyard Interior at Strandgade 30 (Gårdinteriør. Strandgade 30), circa 1905. Modern & Contemporary Art Evening Sale, New York, May 2026.

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In Spring 2026, Phillips will present The Collection of Ambassador John L. Loeb Jr., a landmark auction series hosted across our London and New York salerooms. We will present nearly 150 artworks from the most important collection of Danish artwork in private hands — that of The Honorable John L. Loeb Jr.

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During his time as the U.S. Ambassador to Denmark in the early 1980s, Ambassador Loeb amassed a significant collection of Danish art, now considered to be the largest in the world outside of Danish museums. Led by a curated grouping of masterpieces by Vilhelm Hammershøi, alongside works by Bertha Wegmann, P. S. Krøyer, and Anna Ancher, among many others, the auctions are expected to realize in excess of $12 million. In celebration of Ambassador Loeb’s deep-rooted connection to the people and culture of Denmark, a selection of works from the collection will be unveiled in Copenhagen on 28 January at The Erichsen Mansion. This exhibition, by appointment only, will kick off the world tour across Gstaad, St. Moritz, Hong Kong, Tokyo, and Los Angeles, with full pre-sale exhibitions taking place in London and New York in advance of the auctions.

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Vilhelm Hammershøi, Study of standing woman, seen from behind (Studie af stående kvinde, set bagfra), 1884–1888. Modern & Contemporary Art Evening Sale, New York, May 2026.

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Speaking to Phillips, Ambassador Loeb recalls, “When I first arrived in Denmark, I spent quiet evenings walking through the halls of Rydhave, reflecting on the empty walls and thinking about the art I had grown up with. Though I initially planned to fill the space with American art, I was soon drawn to the quietude and beauty of 19th-century Danish paintings. It was art I felt comfortable with, and comforted by. Over time, and with The Hirschsprung Museum as my compass, it became a way to learn about the country, its people, and its culture. I hope that when people stand before these works, they’ll sense the beauty in the people and the land that I felt when I first encountered them, and that these auctions will continue to shine a light on Denmark’s remarkable artistic legacy.”

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Jeremiah Evarts, Deputy Chairman, Americas, Senior International Specialist, Modern & Contemporary Art, said, “Ambassador Loeb’s discerning eye and deep appreciation for Danish culture have resulted in a collection of extraordinary depth and sensitivity. His commitment to championing Danish art, particularly the quietly radical work of Vilhelm Hammershøi, has helped bring renewed global attention to a school of painting that continues to resonate with contemporary audiences. Following the success of our 2024 exhibition, Stillness: Hammershøi and American Minimalism, we are proud to present this landmark series of sales. Recent high-profile exhibitions of Scandinavian Art range from the Metropolitan Museum in 2023, to forthcoming exhibitions of Hammershøi at the Museo Thyssen-Bornemisza, a major multi-destination exhibition planned for the United States in 2027, and the current exhibition dedicated to Anna Ancher in London. This all demonstrates the extraordinary and urgent draw of this cultural legacy. Within this context, the appearance of the Loeb Collection on the market will make for a rare opportunity to acquire examples by these masters of light. Phillips is honored to act as a steward for this collection and contribute to the evolving dialogue around Danish art and its enduring relevance.”

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THE COLLECTION

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Vilhelm Hammershøi, Interior with Windsor Chair at Strandgade 25 (Interiør med windsorstol. Strandgade 25), 1913. Modern & Contemporary Art Evening Sale, New York, May 2026.

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Leading the collection is Hammershøi’s Courtyard Interior at Strandgade 30, which served as the keystone work in Phillips’ 2024 exhibition, Stillness: Hammershøi and American Minimalism. The painting portrays a female figure leaning out the window into a courtyard in a composition that balances the quietude of daily life with a staggering painterly Modernism. Combined with his expressive use of atmosphere and daringly simple palette, the work continues to captivate audiences with its modern aesthetic 120 years after its creation. It is also here at Strandgade 30, located in the heart of Copenhagen and the same district as The Erichsen Mansion, where Hammershøi painted many of his most celebrated works. Phillips' choice to begin the exhibition here, a place that can be thought of as the cornerstone for Ambassador Loeb's collection, pays respect to the tremendous significance of Danish art in both his life, as well as the wider art historical canon. Also included among the 10 works by Hammershøi from the Loeb Collection are the exquisite Interior with Windsor Chair, a quintessential interior scene by the artist, and a series of landscapes and portraits that tell a complete story of this unique visionary of Danish art.

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Bertha Wegmann, A Young Woman, Marie Triepcke, Sitting in a Boat (En ung pige, Marie Triepcke, siddende i en båd), circa 1884. Modern & Contemporary Art Evening Sale, London, March 2026.

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The Loeb Collection boasts some of the greatest examples by women artists of the Modern Breakthrough in Danish art. Bertha Wegmann’s resplendent scene of a young woman sitting in a boat combines the influence of the French Impressionists with the unique qualities of Scandinavian light. The Collection includes several works by Anna Ancher as well, including her Young Girl Reading a Letter in which she rivals Hammershøi’s ability to capture the occasional transcendence of daily life.

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Anna Ancher, Young Girl Reading a Letter (Ung pige, der læser et brev), 1902. Modern & Contemporary Art Evening Sale, London, March 2026.

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P. S. Krøyer, one of the greatest artists of the Danish Golden Age, is represented across four exceptional works on offer. One of the greatest works by the artist ever to appear at auction, his Self-Portrait, Sitting by his Easel at Skagen Beach, is a triumph of Danish painting. This work is the only example in private hands from a series of four self-portraits executed on Skagen Beach between 1897 and 1909. The other three are housed at the Museum of National History at Frederiksburg Castle, the Uffizi Gallery in Florence, and the Michael and Anna Ancher House in Skagen.

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P. S. Krøyer, Self-Portrait, Sitting by His Easel at Skagen Beach (Selvportræt, siddende ved staffeliet på Skagens strand), 1902. Modern & Contemporary Art Evening Sale, New York, May 2026.

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The Loeb Collection will bring to the global stage many other discoveries from Danish art history, ranging from 19th century landscapes by J. Th. Lundbye and interior scenes by Carl Holsøe and Christian Mourier-Petersen through Modernist works by L.A. Ring and Michael Ancher.

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AMBASSADOR JOHN L. LOEB JR.

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Ambassador John L. Loeb Jr. descends from two of America’s most influential financial dynasties — the Lehman and Loeb families — whose legacies shaped Wall Street and New York society of the 19th and 20th centuries. A former U.S. Ambassador to Denmark (1981–1983), Ambassador Loeb played a pivotal role during the height of the Cold War, working to strengthen Denmark’s support for NATO and to counter Soviet influence in Europe. His diplomatic efforts included persuading Danish leaders and media to embrace President Reagan’s “Zero Option” proposal for nuclear arms reduction and fostering closer U.S.–Danish relations through cultural and political engagement.

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Beyond diplomacy, Ambassador Loeb has been a champion of religious liberty and the separation of church and state. His initiatives include the Loeb Visitors Center at Touro Synagogue in Newport, Rhode Island, and the Loeb Institute for Religious Freedom at George Washington University. These efforts reflect his lifelong dedication to tolerance and inclusion, continuing a tradition of leadership rooted in his distinguished heritage.

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An avid art collector, Ambassador Loeb’s collection spans more than 200 years of Danish art history and is celebrated for its depth and cultural significance, including rare works from the “Golden Age” and the “Modern Breakthrough” periods that showcase Denmark’s artistic evolution.

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TOUR DATES

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Copenhagen
\n28–31 January

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Gstaad
\n20–22 February

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MAZE Art Gstaad
\nFestival-Zelt Gstaad
\n3780 Saanen, Switzerland

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St. Moritz
\n27 February–1 March

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MAZE Art St. Moritz
\nHotel Reine Victoria
\nVia Rosatsch 18, 7500

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London
\n27 February–4 March

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Phillips
\n30 Berkeley Square
\nLondon W1J 6EX

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Hong Kong
\n20–29 March

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Phillips
\nG/F, WKCDA Tower
\nWest Kowloon Cultural District
\nNo. 8 Austin Road West
\nHong Kong

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Tokyo
\n9–12 April
\nBy appointment only
\nContact: tokyo@phillips.com

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Phillips
\n〒106-0032 東京都港区六本木6-6-9ピラミデビル4階
\n4F Piramide Building
\n6-6-9 Roppongi, Minato-ku
\nTokyo 106-0032

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Los Angeles
\n21–23 April

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Phillips
\n9041 Nemo St
\nWest Hollywood CA 90069

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All tour dates are subject to change.

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SALES INQUIRIES

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Jeremiah Evarts
\nDeputy Chairman, Americas, Senior International Specialist, Modern & Contemporary Art
\njevarts@phillips.com

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Cristina Tafuri
\nHead of Global Exhibitions
\nctafuri@phillips.com

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FROM THE ARCHIVE

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When Seeing Is Transcendent — On the surprising visual connections between Vilhelm Hammershøi and American Minimalists >

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Playlist: Slow and Still — The sound-worlds of early Danish Modernism and contemporary American Minimalism intersect >

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15

Vilhelm Kyhn

Evening Atmosphere (Aftenstemning)

Full-Cataloguing

Vilhelm Kyhn