144
William Eggleston
Memphis, Tennessee (Coke bottle in rack)
- Estimate
- $8,000 - 12,000
$9,030
Lot Details
Dye transfer print, printed 1999.
1982-1986
17 7/8 x 11 7/8 in. (45.4 x 30.2 cm)
Signed in ink in the margin; Eggleston Artistic Trust copyright credit reproduction limitation stamp, signed by William Eggleston, III, in ink on the verso. Number 4 from an edition of 10 plus three lettered artist's proofs and one printers' proof.
Created by the artist in the United States.
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Created by the artist in the United States.
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Specialist
Full-Cataloguing
Provenance
Literature
William Eggleston
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
Browse ArtistAt the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.