Robert Motherwell: A Field of Inexhaustible Meaning
Carter Ratcliff recounts the artist's personal and creative journey to the completion of 'At Five in the Afternoon', 1971, a monumental canvas from his famed 'Elegies' series.
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35拍品
Creating Moments like Matisse: Joan Mitchell's Late Oeuvre
From the artist's sweeping, exuberant paintings of the 1980s, 'Hours' bridges Abstract Expressionism and Post-Impressionism.
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Artists in Dialogue: Kerry James Marshall and Luc Tuymans
On the occasion of the sale of Kerry James Marshall's 'Untitled (Blanket Couple)', 2014, and Luc Tuymans' 'Model', 2012, we explore the fruitful dialogue between two of the most important painters of their generation.
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'Black Venus': The Turning Point in Mark Bradford's Career
Our editors examine 'Black Venus', the catalyst that led Mark Bradford to become the most expensive living black artist and one of the most important abstract painters of our time.
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Pat Steir: In Conversation
In advance of our New York Evening Sale, we talk to Pat Steir about her waterfall paintings, meditations on nature and influences ranging from John Cage to Chinese landscape painting.
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Jean-Michel Basquiat's 'Flexible': Behind the Lens with Lizzie Himmel
Lizzie Himmel is a New York-based photographer who shot the iconic picture of Jean-Michel Basquiat and 'Flexible', 1984. Phillips' Roselyn Mathews caught up with Himmel about her experiences in and around the artist's New York studio.
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In Violence We Trust: Cady Noland, Jenny Holzer and Mark Bradford
From curator and scholar Francesco Bonami: Violence weaves a thread through three provocative works by American artists.
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Color as Material: Rudi Fuchs on Donald Judd's Multicolored Works
In conversation with Phillips' Patrizia Koenig, renowned curator and former President of the Chinati Foundation Rudi Fuchs speaks about the artist's unique approach to color.
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