122
威廉．艾格斯頓
《密西西比州森納》
- 估價
- $70,000 - 90,000
拍品詳情
染料轉印（2002年印）
約1970年作
21 3/4 x 15 英吋 (55.2 x 38.1 公分)
款識：簽名、日期、C/D、註釋Mississippi（邊緣）
鈴印：艾格斯頓藝術信託基金版權信用、複印限制（邊緣）
共有9版與4版以A-D編號的藝術家試作版，此作為C版藝術家試作版。
鈴印：艾格斯頓藝術信託基金版權信用、複印限制（邊緣）
共有9版與4版以A-D編號的藝術家試作版，此作為C版藝術家試作版。
專家
更多資訊
完整圖錄內容
來源
文學
威廉．艾格斯頓
American | 1939William Eggleston's highly saturated, vivid images, predominantly capturing the American South, highlight the beauty and lush diversity in the unassuming everyday. Although influenced by legends of street photography Robert Frank and Henri Cartier-Bresson, Eggleston broke away from traditional black and white photography and started experimenting with color in the late 1960s.
At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.
瀏覽藝術家At the time, color photography was widely associated with the commercial rather than fine art — something that Eggleston sought to change. His 1976 exhibition at the Museum of Modern Art, Color Photographs, fundamentally shifted how color photography was viewed within an art context, ushering in institutional acceptance and helping to ensure Eggleston's significant legacy in the history of photography.