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166

拜斯·馬登

《漢山出口》

1992-93年作
全套六組蝕刻版畫 及幼點腐蝕 手製Twinrocker紙本(四周留邊)
圖像:7 1/2 x 5 1/2 英吋 (19.1 x 14 公分)
紙本:15 x 11 1/8 英吋 (38.1 x 28.3 公分)
款識:簽名、日期、編號7/45(畫背)
共有45版闊邊版、75版窄邊版、數版藝術家試作版,由藝術家於紐約出版,全為已裱第7版闊邊版。

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拜斯·馬登

American | 1938

Born in Bronxville and working between New York City, Tivoli, New York, and Hydra, Greece, Brice Marden developed a unique style that departs from his Abstract Expressionist and Minimalist contemporaries. Drawing from his personal experiences and global travels, Marden’s works demonstrate a gestural and organic emotion channeled through the power of color. By the late 1960s, Marden received international recognition as the master of the monochrome panel and, in the late 1970s, began exploring the relationship between horizontal and vertical planes. His practice is deeply informed by his knowledge of classical architecture, world religion, ancient history, and spirituality. Elected to the American Academy of Arts and Letters in 1998, Marden is represented in notable institutional collections including the Whitney Museum of Art, New York, Philadelphia Museum of Art, Stedelijk Museum, Amsterdam, and Centre Georges Pompidou, Paris.

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