







羅啟妍典藏系列
83
Alvar Aalto
《「扇形腿」凳子,型號X602》
- 估價
- HK$8,000 - 12,000•€980 - 1,500$1,000 - 1,500
HK$16,510
拍品詳情
樺木 皮革
1954年設計,1960年代作
45.5 x 44 x 44 公分(17 7/8 x 17 3/8 x 17 3/8 英吋)
款識:紙本標籤(底部)
此作品芬蘭赫爾辛基O.y. Huonekalu-ja Rakennustyötehdas A.b., Turku製造。
此作品芬蘭赫爾辛基O.y. Huonekalu-ja Rakennustyötehdas A.b., Turku製造。
專家
完整圖錄內容
圖錄文章
Phillips wishes to thank Antti Tevajärvi from Artek for his assistance in cataloguing the present lot.
來源
文學
Alvar Aalto
Finnish | B. 1898 D. 1976In contrast with the functionalism of the International Style (as well the neoclassicism put forward by the Nazi and Soviet regimes), Alvar Aalto brought a refreshing breath of humanism to modern design: "True architecture exists only where man stands in the center," he wrote. Aalto designed furniture in stack-laminated plywood composed of Finnish birch, which was cost-effective and lent warmth to his interiors. Aalto also revived Finnish glass design with his entries in the various Karhula-Iitala glassworks competitions throughout the 1930s.
In 1936 he won first place for a collection of colorful, wavy vases in various sizes titled Eskimoerindens skinnbuxa (The Eskimo Woman’s Leather Breeches). The vases were an immediate success and the most popular size, now known as the "Savoy" vase, is still in production today. Aalto's freeform designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s; in particular, his innovations in bent plywood had a major impact on designers such as Charles and Ray Eames.
瀏覽藝術家In 1936 he won first place for a collection of colorful, wavy vases in various sizes titled Eskimoerindens skinnbuxa (The Eskimo Woman’s Leather Breeches). The vases were an immediate success and the most popular size, now known as the "Savoy" vase, is still in production today. Aalto's freeform designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s; in particular, his innovations in bent plywood had a major impact on designers such as Charles and Ray Eames.