159
Francis Bacon
《追隨在「洗臉盆旁的人」之後，1976年 (S. 3, T. 35)》
- 估價
- £7,000 - 9,000‡♠
£9,450
拍品詳情
蝕刻版畫 幼點腐蝕 Arches 折疊紙本（如出版所示，全包邊）附文本
1977-78年作
圖像：47.5 x 36.2 公分 (18 3/4 x 14 1/4 英吋)
紙本：67.6 x 52.1 公分 (26 5/8 x 20 1/2 英吋)
紙本：67.6 x 52.1 公分 (26 5/8 x 20 1/2 英吋)
款識：簽名、61/100
鈴印：巴黎Éditions Georges Visat畫廊
尚有46版羅馬數字藝術家試作版，由巴黎Éditions Georges Visat畫廊出版，此作已裱。
鈴印：巴黎Éditions Georges Visat畫廊
尚有46版羅馬數字藝術家試作版，由巴黎Éditions Georges Visat畫廊出版，此作已裱。
專家
完整圖錄內容
文學
Francis Bacon
Irish-British | B. 1909 D. 1992Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
瀏覽藝術家In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.