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160

Francis Bacon

《仿「三聯畫 1972年8月」(S. 23, T. 24)》

1979年作
全套三組石版畫 Arches紙本(全包邊)
I. 約 66 x 48.5 公分(25 7/8 x 19 1/8 英吋)
S. 約 90.3 x 62.5 公分(35 1/2 x 24 5/8 英吋)
款識:簽名、編號 126/180
共有180版、數版藝術家試作版、幾版樣本作銘刻版,由巴黎勒隆畫廊出版,全為已裱。

Francis Bacon

Irish-British | B. 1909 D. 1992

Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
 
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.

瀏覽藝術家