Property of a Private British Collector
109
Francis Bacon
《鬥牛之鏡 (S. 29-30, T. 37)》
- 估價
- £40,000 - 60,000♠
拍品詳情
全套四組石版畫 折疊 Arches 紙本（如出版所示）內頁附凸版印刷文本，三組全紙本，一組全包邊，散裝（如出版所示）存於原裝布料文件夾連印刷標題
1990年作
每組圖像：25 x 21 公分 (9 7/8 x 8 1/4 英吋)
全部紙本：47.9 x 35.9 公分 (18 7/8 x 14 1/8 英吋)
文件夾：51 x 38.5 x 4 公分 (20 1/8 x 15 1/8 x 1 5/8 英吋)
全部紙本：47.9 x 35.9 公分 (18 7/8 x 14 1/8 英吋)
文件夾：51 x 38.5 x 4 公分 (20 1/8 x 15 1/8 x 1 5/8 英吋)
款識：簽名、編號111/150（版權頁）
共有150版、5版羅馬數字樣本作，由巴黎勒隆畫廊出版，法國印刷，全為已裱第111版。
共有150版、5版羅馬數字樣本作，由巴黎勒隆畫廊出版，法國印刷，全為已裱第111版。
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Francis Bacon
Irish-British | B. 1909 D. 1992Francis Bacon was a larger-than-life figure during his lifetime and remains one now more than ever. Famous for keeping a messy studio, and even more so for his controversial, celebrated depictions of papal subjects and bullfights, often told in triptychs, Bacon signified the blinding dawn of the Modern era. His signature blurred portraits weren't murky enough to stave off his reputation as highly contentious—his paintings were provocations against social order in the people's eye. But, Bacon often said, "You can't be more horrific than life itself."
In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.
瀏覽藝術家In conversation with yet challenging the conventions of Modern art, Bacon was known for his triptychs brutalizing formalist truths, particularly Three Studies for Figures at the Base of a Crucifixion, which Bacon debuted in London in 1944, and Three Studies of Lucian Freud, which became famous when it set the record for most expensive work of art at auction at the time it sold in 2013.