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Frank Stella
《發誓–來自「V系列」(G 79, A. 25)》
1968年作
石版畫 油光漆 Lowell紙本（全包邊）
I. 25 3/4 x 11 英吋（65.4 x 27.9 公分）
S. 16 1/4 x 28 3/4 英吋（41.3 x 73 公分）
S. 16 1/4 x 28 3/4 英吋（41.3 x 73 公分）
款識：簽名、日期、P.P. I
鈴印：洛杉磯 Gemini G.E.L. 畫廊（畫背）
尚有100版、12版藝術家試作版、2版羅馬數字印刷商試作版，由洛杉磯 Gemini G.E.L. 畫廊出版，此為未裱羅馬數字印刷商試作版。
鈴印：洛杉磯 Gemini G.E.L. 畫廊（畫背）
尚有100版、12版藝術家試作版、2版羅馬數字印刷商試作版，由洛杉磯 Gemini G.E.L. 畫廊出版，此為未裱羅馬數字印刷商試作版。
完整圖錄內容
"British and American clipper ships, fast-moving transport vessels, dominated the high seas during the middle decades of the nineteenth century. The three masted, square-rigged clipper ship gained its name for "clipping" along at record speeds, made possible with a sleek hull that sliced through the water, to which the chevron shape in the prints alludes. All of the ships named in the V Series were built in Great Britain." - Richard Axsom, Frank Stella Prints, p. 76
Frank Stella
American | B. 1936 D. 2024Frank Stella is recognized as the most significant painter that transitioned from Abstract Expressionism to Minimalism. He believed that the painting should be the central object of interest rather than represenative of some subject outside of the work. Stella experimented with relief and created sculptural pieces with prominent properties of collage included. Rejecting the normalities of Minimalism, the artist transformed his style in a way that inspired those who had lost hope for the practice.