1
Richard Artschwager
Corner Splat, from Wall Works
- 估價
- £8,000 - 12,000
拍品詳情
Acrylic paint in colours on unique cut-out Mylar, to be installed on a wall, in or at a corner.
1993
74 x 53.5 cm (29 1/8 x 21 1/8 in.)
Signed, titled, dated and numbered 1/20 in black ink on the accompanying Certificate of Authenticity (only edition numbers 1-6 and 3 artist's proofs were realised), published by Edition Schellmann, Munich and New York. This wall work to be installed according to the artist's specifications on the certificate.
專家
完整圖錄內容
圖錄文章
The Wall Works Series
"Increasingly the limitation of fine art editions to prints and objects did not seem to reflect the technical possibilities and the recent developments in artistic strategies and actual art production. Installation in architecture had become an important issue both in theory and artistic practice. Edition Schellmann was trying to develop an idea as to how the concept of installation in a given architectural space could be realised as an edition. The result was the Wall Works project. It celebrates the basic idea of architecture being the ‘mother, the synthesis of the arts’. From the cave drawing on, in the development of the work of art, it has been an integral part of architecture."
- Jörg Schellmann, ed., Forty Are Better Than One, Munich/New York, 2009, p. 396
"Increasingly the limitation of fine art editions to prints and objects did not seem to reflect the technical possibilities and the recent developments in artistic strategies and actual art production. Installation in architecture had become an important issue both in theory and artistic practice. Edition Schellmann was trying to develop an idea as to how the concept of installation in a given architectural space could be realised as an edition. The result was the Wall Works project. It celebrates the basic idea of architecture being the ‘mother, the synthesis of the arts’. From the cave drawing on, in the development of the work of art, it has been an integral part of architecture."
- Jörg Schellmann, ed., Forty Are Better Than One, Munich/New York, 2009, p. 396
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