Galerie Urs Meile, Lucerne
Liverpool, Liverpool Biennale, 20 September–30 November, 2008; Campbelltown, Sherman Foundation of Contemporary Art, Ai Weiwei: Under Construction, 2 May–29 June, 2008; Brisbane, Queensland Art Gallery, Fifth Asia-Pacific Triennale of Contemporary Art, 2 December, 2006–27 May, 2007; New York, Robert Miller Gallery, Ai Weiwei, 9 September–9 October, 2004; Lewisburg, Samek Art Gallery at Bucknell University, 5 October–19 November, 2006; Saratoga Springs, Schick Art Gallery at Skidmore College, 13 June–22 September, 2006; St. Mary’s City, Boyden Gallery at St. Mary's College of Maryland, 17 January–4 March, 2006; Nashville, Fine Arts Gallery at Vanderbuilt University, Nashville, 13 October–9 December, 2005; Winston-Salem, Charlotte and Philip Hanes Art Gallery at Wake Forest University, 22 August–2 October, 2005; Denton, University of North Texas Gallery, 25 April–2 July, 2005; Altgeld Gallery at Northern Illinois University, Misleading Trails, 18 January–13 May, 2005; Beijing, China Art & Archives Warehouse, Misleading Trails, 14 August–30 September, 2004
K. Smith, “Portrait of the Revolutionary as an Artist,” Art in Asia, May–June 2008, pp. 58–64 (illustrated); R. Cooke, “Cultural Revolutionary,” The Observer, 6 July 2008; A. Pasternak, “Reluctant Return for a Beijing Provocateur,” New York Sun, 7 March 2008; J. McDonald, “Destruction and Creation,” Sydney Morning Herald, 17 May 2008 (illustrated); "Mr. Big," Frieze, Issue 116, June–August 2008; D. Coggins, “Ai Weiwei's Humane Conceptualism,” Art in America, September 2007; P. Tinari, Ai Weiwei - Works: 2004–2007, Beijing 2007, p. 10; C. Merewether, (ed.), Ai Weiwei - Works: Beijing 1993-2003, Beijing 2003, pp. 66-67 (illustrated); C. Merewether, Made in China, New York 2007, pp.146–151 (illustrated); C. Merewether, “Ruins in Reverse,” in Merewether, C. (ed.), Ai Weiwei. Under Construction, Sydney 2007, pp.25–127 (illustrated pp. 26 and 59)