“I think a good dealer is also a collector.”
—Rosa EsmanRosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and print publisher (which Aaron, a psychoanalyst, strongly supported), with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa got her start publishing artists’ print portfolios in the 1960s, including the New York Ten Portfolio, 1965, and Ten for Leo Castelli, 1967, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg, and helped pioneer the field of artist’s editions and multiples. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.
When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the quintessential bit of the art,” which can be seen across the collection, regardless of genre.
The pair bonded over gallery visits when dating in the early 1950s. While Aaron already had begun collecting by then, the first work they purchased together was a drawing by Miró, early in their marriage. Rosa recalled: ‘sometimes we look at something, and I say, “Oh, isn’t that marvelous?”’ and Aaron would respond, ‘It’s for us.’
Founded on lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.
Rosa and Aaron Esman, Madrid, 1963
Rosa及Aaron Esman伉儷收藏
34
無底價拍品
《魔鬼的標誌（雙聯畫）》
1972年作
獨特鉤針手繪方巾附珠子 存於原裝絎縫手繪織物內襯紙箱
鉤針：16 1/2 x 16 1/2 英吋 (41.9 x 41.9 公分)
紙箱：19 1/4 x 38 1/2 英吋 (48.9 x 97.8 公分)
款識：簽名、日期、A 20/30（箱側）
尚有30版B版，由米蘭Ariete Grafica畫廊出版。
估價
$1,000 - 2,000 •
成交價$953
Editions@phillips.com
212 940 1220
限量版畫及紙本作品
紐約拍賣 2023年4月18至20日
