Donald Young Gallery, Seattle
Paul Morris Gallery, New York
Regen Projects, Los Angeles
Acquired from the above by the present owner in December 1998
Malmö, Rooseum-Center for Contemporary Art; London, Institute of Contemporary Art; Kunsthalle Bern and Kunsthalle Zurich, Charles Ray, March - October 1994 (another example exhibited and illustrated)
London, Saatchi Gallery, Young Americans: New American Art in the Saatchi Collection, January - May 1996, pp. 94-95 (another example exhibited and illustrated)
New York, Whitney Museum of American Art; Los Angeles, Museum of Contemporary Art; Chicago, Museum of Contemporary Art, Charles Ray, June 1998 - September 1999, p. 70 (another example exhibited and illustrated)
Los Angeles County Museum of Art; Washington D.C., Corcoran Gallery of Art; Boston, Museum of Fine Arts, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection, October 2001 - October 2002, pp. 200-201 (another example exhibited and illustrated)
New York, Whitney Museum of American Art, Evidence of Impact: Art and Photography 1963-1978, July - October 2004 (another example exhibited)
Minneapolis, Walker Art Center, The Last Picture Show Using Photography, 1960-1982, October 12, 2003 - January 11, 2004
Klaus Kertess, Photography Transformed: the Metropolitan Bank and Trust Collection, New York, 2002, p. 173 ( illustrated)
Mary Abbe, “The F-Stops Here,” Star Tribune, October 10, 2003
Bernard Cooper, “Too Much Info,” Los Angeles Times, April 2004
Christopher Knight, “Photo synthesis,” Los Angeles Times, March 7, 2004
David Deitcher, “The Last Picture Show,” Artforum, February 2004