Cildo Meireles is a Brazilian conceptual artist who frequently engages with auditory elements in his artworks. He categorises the present lot, Sal Sem Carne (1975), or Salt Without Meat, as a "sound sculpture". Sal Sem Carne is a vinyl record, accompanied by a lithographed sleeve, that features audio recordings of printed images and sounds, collectively recounting the massacre of Brazil's Krahó people. This piece was greatly incluenced by Meireles' close interaction with numerous indigenous groups, which was facilitated by his father's involvement with the Indian Protection Service. Within the LP's recordings, one can find both narratives detailing the massacres of native communities and authentic indigenous music and rituals.