E. Leffingwell, The Keeper's Memory, The Kim Esteve Collection and a Narrative History of Chácara Flora, São Paulo: Editora Terceiro Nome, 2003, p. 192 (illustrated)
Catalogue Essay
One of the remarkable Senise paintings that have graceded the Esteve collection, this untitled mixed media on canvas (1992) has as its central preoccupation the beauty and the attrition of time. Totemic, conical, its principal movement rising to the fluted crenellation above and the dark, brooding ground. of thethis abstraction is classic Senise, the very material of the studio floor assuming the bonding that is on this artist’s take on mixed media, The central emblem’s overall is a dancer’s third position. Since the 1980s Senise has exhibited in the bienal of Venice (1990) MoMA in New York, the Centre Georges Pompidou, and the Museu Ludwig, Cologne.