Collection of Leo Castelli, New York
Peder Bonnier, New York
Vivian Horan Fine Art, New York
Acquired from the above by the present owner in 1993
Philadelphia, Institute of Contemporary Art, University of Pennsylvania, 7 Sculptors, December 3, 1965 - January 17, 1966, p. 17 (early version exhibited)
New York, Finch College Museum of Art/Contemporary Study Wing, Art in Process: The Visual Development of a Structure, May 11 - June 30, 1966, n.p. (early version exhibited)
New York, Riverside Museum, Sculpture: New York Scene, March 12 - June 4, 1967 (early version exhibited)
New York, Bykert Gallery, Group Exhibition, October 7 - November 1, 1967 (early version exhibited)
New York, Whitney Museum of American Art, Don Judd, February 27 - March 24, 1968, p. 33 (example number 3 exhibited and illustrated, p. 32)
Ridgefield, The Aldrich Museum of Contemporary Art, Art of the 60’s: Selections from the Collection of Hanford Yang, September 29 - December 22, 1968, no. 35, n.p. (example number 4 exhibited and illustrated)
Pasadena Art Museum, Don Judd, May 11 - July 4, 1971, pl. 32, no. 26, p. 66 (example number 5 exhibited and illustrated, p. 54)
Eindhoven, Stedelijk Van Abbemuseum; Dusseldorf, Städtische Kunsthalle; ARC/Musée d'Art Moderne de Paris; Barcelona, Fundació Joan Miró; Turin, Castello di Rivoli, Donald Judd: Sculptures 1965-1987, April 26, 1987 - September 30, 1988, no. 10, p. 86 (example number 3 exhibited and illustrated, n.p.)
Berlin, Martin-Gropius-Bau, American Art in the 20th Century: Painting and Sculpture 1913-1993, May 8 - July 25, 1993 (example number 4 exhibited)
Tokyo, Museum of Contemporary Art, Revolution: Art of the Sixties from Warhol to Beuys, September 30 - December 10, 1995 (example number 4 exhibited)
Stuttgart, Württembergischer Kunstverein, Stiftung Froehlich Sammlungsblöcke, September 28 - November 24, 1996 (example number 4 exhibited)
London, Tate Gallery, New Displays 1999: Donald Judd and Cy Twombly: Loans from the Froelich Collection, 1999 (example number 4 exhibited)
Karlsruhe, Museum für Neue Kunst, Minimal Art aus den privaten Sammlungen im Museum für Neue Kunst, March 17 - April 29, 2001 (example number 4 exhibited)
Kunsthalle Bielefeld; Houston, The Menil Collection, Donald Judd. The Early Work 1955-1968, May 5, 2002 - April 27, 2003, no. 133, n.p. (example number 4 exhibited and illustrated)
London, Tate Modern, Donald Judd, February 5 – April 25, 2004 (example number 4 exhibited)
Saint Louis Art Museum, Minimal Art From Saint Louis Collections, August 26, 2005 - July 23, 2006 (example number 5 exhibited)
Saint Louis Art Museum, A New View: Contemporary Art, 2013 (example number 5 exhibited)
New York, Leo Castelli Gallery, Donald Judd, Roy Lichtenstein, Kenneth Noland. A Dialogue, April 5 - June 30, 2016 (example number 2 exhibited)
Mel Bochner, "Art in Process—Structures", Arts Magazine, September-October 1966 (Finch College Museum of Art, 1966, installation view illustrated)
Dudley Del Balso, Roberta Smith and Brydon Smith, Donald Judd: Catalogue Raisonné of Paintings, Objects and Wood-Blocks 1960-1974, Ottawa, 1975, no. 70, pp. 131-132 (another example illustrated)
American • 1928 - 1994
Donald Judd came to critical acclaim in the 1960s with his simple, yet revolutionary, three-dimensional floor and wall objects made from new industrial materials, such as anodized aluminum, plywood and Plexiglas, which had no precedent in the visual arts. His oeuvre is characterized by the central constitutive elements of color, material and space. Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer and surrounding space with his so-called "specific objects." From the outset of his three-decade-long career, Judd delegated the fabrication to specialized technicians. Though associated with the minimalist movement, Judd did not wish to confine his practice to this categorization.
Inspired by architecture, the artist also designed and produced his own furniture, predominantly in wood, and eventually hired a diverse team of carpenters late in his career.
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