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洛杉磯,佳士得,2000 年 12 月 5 日,拍品編號 105
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Siri Engberg and Clive Phillpot, Edward Ruscha: Editions 1959-1999, Catalogue Raisonné, New York, 1999, vols. I & II, no. 187-196; vol. I, pp. 53-55; vol. II, pp. 108-109 (illustrated, vol. l, pp. 53-55)
American • 1937
Quintessentially American, Ed Ruscha is an L.A.-based artist whose art, like California itself, is both geographically rooted and a metaphor for an American state of mind. Ruscha is a deft creator of photography, film, painting, drawing, prints and artist books, whose works are simultaneously unexpected and familiar, both ironic and sincere.
His most iconic works are at turns poetic and deadpan, epigrammatic text with nods to advertising copy, juxtaposed with imagery that is either cinematic and sublime or seemingly wry documentary. Whether the subject is his iconic Standard Gas Station or the Hollywood Sign, a parking lot or highway, his works are a distillation of American idealism, echoing the expansive Western landscape and optimism unique to postwar America.
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