The thin margins, paper type, and overall object quality of this print are indicative of Winogrand’s printing style in the 1960s.
Museum of Modern Art curator John Szarkowski was Winogrand’s most ardent champion. Szarkowski chose this image to reproduce in his seminal book, Looking at Photographs, wherein he writes:
"In photography the formal issue might be stated as this: How much of the camera’s miraculous descriptive power is the photographer capable of handling? Or how much complexity can he make simple? Or, conversely, how much diversity must he sacrifice for the sake or order? Consider Garry Winogrand’s picture: so rich in fact and suggestion, and so justly resolved: more complex and more beautiful than the movie Alfred Hitchcock might derive from it."