倫敦 Heni Productions 畫廊
私人收藏（2012年購自上述來源）
倫敦，富藝斯，2019 年 3 月 8 日，拍品編號 194
現藏者購自上述拍賣
Hubertus Butin, Stefan Gronert and Thomas Olbricht, Gerhard Richter. Editions 1965-2013, Ostfildern, 2014, no. 148, pp. 58, 320 (other variants illustrated)
German • 1932
Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike.
Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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