Imogen Cunningham - Photographs New York Wednesday, October 9, 2024 | Phillips
  • This exquisitely rendered nude study by Imogen Cunningham is believed to be one of only three known prints of the image. Made in the 1920s, this print is on the warm-toned matte-surfaced paper that Cunningham favored in that decade. Like the two other early Cunningham photographs in this auction, lots 278 and 281, it is rendered here as a contact print. Cunningham laid the negative directly onto the photographic paper in the darkroom, yielding a finished image of exceptional focus and clarity the same size as the original negative. Cunningham was aware of the work of her Modernist counterparts and their propensity for smaller print formats, and this print possesses the same detail and intimacy of scale as contemporaneous photographs by André Kertész, Alfred Stieglitz, and the Bauhaus photographers, for example. The tight framing and careful composition of this nude study is reminiscent of Cunningham’s classic image, Triangles (1928), which was also contact printed by her from a 4 by 5-inch negative.  

     

    This photograph comes originally from the collection of Richard A. Lorenz (1952-2001), the Cunningham expert and author. A native of Pennsylvania, Lorenz attended Muhlenberg College in Allentown, initially intending to study medicine. As editor-in-chief of the college newspaper, he became involved in the arts and subsequently changed the direction of his studies. After graduating in 1974, Lorenz moved to San Francisco where he became active in the city’s vibrant photography scene. His special interest was in California photography from the first decades of the 20th century, and his subjects included California Pictorialism, Margrethe Mather, and Imogen Cunningham. It was as a Cunningham scholar that he was best known, serving as a Trustee of the Imogen Cunningham Trust, curating exhibitions of her work, and authoring a series of books on the photographer. He reproduced this actual print in one of his books: Imogen Cunningham: On the Body (1998).

     

    The subject of the image is Cunningham’s friend Portia Hume, a nearby resident of Berkeley and a noted psychiatrist.   

    • Condition Report

    • Description

      View our Conditions of Sale.

    • Provenance

      Gift from Rondal Partridge, son of Imogen Cunningham, and the Trustees of the Imogen Cunningham Trust, to Richard Lorenz, 1989
      By descent to Patricia Lorenz, his sister, 2001

    • Exhibited

      Imogen Cunningham: Ideas Without End, The Oakland Museum, 1 July - 19 September 1993

    • Literature

      Lorenz, Imogen Cunningham: On the Body, cover, pl. 65 (variant orientation)
      Sullivan, ed., Women Photographers, pl. 41

280

Nude (Portia Hume)

late 1920s
Gelatin silver print.
3 3/8 x 4 3/8 in. (8.6 x 11.1 cm)
Oakland Museum exhibition label and Imogen Cunningham Trust label on the reverse of the frame. Accompanied by a letter, in facsimile, from the Imogen Cunningham Trust, gifting this photograph to Richard Lorenz, signed by Rondal Partridge, dated January 25, 1989.

Full Cataloguing

Estimate
$15,000 - 25,000 

Place Advance Bid
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Sarah Krueger
Head of Department, Photographs
skrueger@phillips.com

 

Vanessa Hallett
Worldwide Head of Photographs and Chairwoman, Americas
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Photographs

New York Auction 9 October 2024