Christie's, New York, 5 April 2012, lot 77
Private Collection, Italy
I Platini di Irving Penn: 25 Anni di Fotografia (Irving Penn Platinum Plates), Galleria Civica d'Arte Moderna, Turin, 3 April - 31 May 1975; Galleria d’Arte Moderna di Bologna (now Museo d'Arte Moderna di Bologna), 18 June - 27 July 1975; The Photographers' Gallery, London, 1 - 31 October 1975
‘The Black and White Idea’, Vogue US, April 1950, cover
‘The Black and White Idea’, British Vogue, June 1950, cover
I. Penn, Moments Preserved, New York: Simon & Schuster, 1960, p. 159
D. Palazzoli & M. Levi, I Platini di Irving Penn: 25 Anni di Fotografia (Irving Penn Platinum Plates), Turin: Galleria Civica d'Arte Moderna di Torino, 1975, p. 21
P. Devlin, Vogue Book of Fashion Photography: The First Sixty Years, New York: Simon & Schuster, 1979, p. 90
H. Gee, Photography of the Fifties: An American Perspective, Tucson: Univeristy of Arizona, 1980, p. 153
J. Szarkowski, Irving Penn, New York: MoMA, 1984, pl. 48
M. Weaver ed., The Art of Photography: 1839-1989, Yale UP, 1989, pl. 441
M. Harrison, Appearances: Fashion Photography Since 1945, New York: Rizzoli, 1991, p. 59
C. Westerbeck, ed., Irving Penn: A Career in Photography, Chicago: AIC, 1997, pl. 4
'90 Years of Vogue’, British Vogue, December 2006, cover
H. Koda & K. Yohannan, The Model as Muse: Embodying Fashion, New York: The MET, 2009, p. 27
N. Angeletti & A. Oliva, In Vogue: The Illustrated History of the World’s Most Famous Fashion Magazine, New York: Rizzoli, 2012, p. 129
American • 1917 - 2009
Arresting portraits, exquisite flowers, luscious food and glamorous models populate Irving Penn's meticulously rendered, masterful prints. Penn employed the elegant simplicity of a gray or white backdrop to pose his subjects, be it a model in the latest Parisian fashion, a famous subject or veiled women in Morocco.
Irving Penn's distinct aesthetic transformed twentieth-century elegance and style, with each brilliant composition beautifully articulating his subjects. Working across several photographic mediums, Penn was a master printmaker. Regardless of the subject, each and every piece is rendered with supreme beauty.
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