Berlin, Kunste-Werke Berlin e.V. – Institute for Contemporary Art, 3rd Floor, Dinos and Jake Chapman: Disasters of War, July 16 – November 12, 2000 (another example exhibited); Modern Art Oxford, Jake and Dinos Chapman: The Rape of Creativity, April 12 – June 8, 2003 (another example exhibited); Liverpool, Tate Liverpool, Jake and Dinos Chapman: Bad Art for Bad People, December 15, 2006 – March 4, 2007 (another example exhibited)
J. Ramkalawon, “Jake and Dinos Chapman’s Disasters of War,” Print Quarterly, XVIII, 2001, pp. 64-77 (another example illustrated); S. Aquin, Francisco Goya and Jake and Dinos Chapman: The Disasters of War, Musée des Beaux-Arts de Montréal, Quebec, 2001; J. & D. Chapman, Disasters of War, Chapman Publishing, London, 2002 (another example illustrated); N. Brown, “Burger Fetish,” Modern Painters, Spring 2003, pp. 94-97 (another example illustrated); J. Jones, “What Have They Done to Goya?,” G2 The Guardian Monday, March 31, 2003, pp.1-3 (another example illustrated); M. Gayford, “They Only Do it to Annoy,” The Sunday Telegraph, November 2, 2003, p. 9 (another example illustrated); Jake and Dinos Chapman, Jake and Dinos Chapman: Insult to Injury, London, 2004 (another example illustrated); L. Buck, “Features,” The Art Newspaper, No. 161, September 2005, p. 32; M. Sawyer, “Brothers Grim,” Vogue, September 2005, pp. 308-311, p. 381 (another example illustrated); J. McGuiness, “Brother in Arms,” Pol Oxygen, Issue Ten, 2004, pp.78-87 (another example illustrated); G. Wood, “The Cocky Horror Show,” The Saturday Times, October 8, 2005, pp. 28-32; N. Hackworth, “We Want to Commit Violence to Ideas,” Evening Standard, October 11, 2005, p. 35; L. Jury, “The Chapman Brothers Return with an Echo of Past Images,” The Independent, October 19, 2005, p. 12; H. Eyres, “The Heart of Nothingness,” FT Magazine, November 5-6, 2005, pp. 34-35 (another example illustrated); S. Baker, Jake & Dinos Chapman: Like a Dog Returns to its Vomit, London, 2005, pp. 5-6; S. Kent, “The Brothers Grim Turn Back to Goya,” The Times, November 29, 2006, pp. 14-15; C. Turner, “Jake and Dinos Chapman,” Tate Etc., Issue #8, Autumn, 2006 (illustrated); S. O’Hagan; “Jake & Dinos Chapman,” The Observer, December 3, 2006, pp. 8-9; A. Sooke, “Jake and Dinos Chapman at Tate Liverpool,” The Daily Telegraph, December 9, 2006, p. 19; L. Jury, “Chapman Brothers Look Back at a Life of ‘Bad Art’,” The Independent, December 15, 2006, p. 7; R. Dorment, “The Masters of Modern Horror,” The Daily Telegraph, December 19, 2006, p. 27; A. Searle, “Gore Blimey,” The Guardian, December 19, 2006, pp. 24-25; “Two Chapmans,” The Independent, January 30, 2007, p. 11; D. Osbaldeston, “Jake & Dinos Chapman: Bad Art for Bad People,” Art Review, March 2007, p.136-137 (another example illustrated); T. Barson, C. Grunberg, C. Turner and C. Wallis, Jake and Dinos Chapman: Bad Art for Bad People, London, 2007 (another example illustrated)