Private collection, France
Charles Moreau, "Cheminées et Coins de Feu," Jean Royère, Première Série, Paris, 1950s, pl. 37 for table lamp designGilbert Poillerat, Ferronnerie d'aujourd'hui, Paris, 1950, pl. 22 for an eight-armed chandelierMobilier et Décoration, no. 1, January - February 1954, p. 297 for an eight-armed chandelierJean Royère, exh. cat., Galerie Jacques Lacoste, Paris, 1999, pp. 43, 47 for a six-armed floor lamp and p. 46 for an eight-armed chandelierGalerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 1, Paris, 2012, p. 272 for an eight-armed chandelier and a six-armed floor lampGalerie Jacques Lacoste and Galerie Patrick Seguin, Jean Royère, Volume 2, Paris, 2012, p. 39 for a three-armed chandelier and pp. 149, 327 for drawings
French • 1902 - 1981
Jean Royère took on the mantle of the great artistes décorateurs of 1940s France and ran with it into the second half of the twentieth century. Often perceived as outside of the modernist trajectory ascribed to twentieth-century design, Royère was nonetheless informed by and enormously influential to his peers. Having opened a store in Paris in 1943 before the war had ended, he was one of the first to promote a new way of life through interior decoration, and his lively approach found an international audience early on in his career.
In addition to commissions in Europe and South America, Royère had a strong business in the Middle East where he famously designed homes for the Shah of Iran, King Farouk of Egypt and King Hussein of Jordan. The surrealist humor and artist's thoughtful restraint that he brought to his furniture designs continue to draw admiration to this day.
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