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“I think a good dealer is also a collector.”
—Rosa EsmanRosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and edition publisher with the strong support of Aaron, a psychoanalyst and passionate collector, with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa began publishing portfolios of prints by contemporary artists in the 1960s. Editions such as the New York Ten Portfolio, 1965, and Ten from Leo Castelli, 1967, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg, and helped pioneer the field of artist’s editions and multiples. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.
When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the
quintessential bit of the art,” which can be seen across the Esman collection, regardless of genre.
Art was one of several passions that Rosa and Aaron shared, even when they began dating in the early 1950s. In 1952, they bought their first artwork together, a drawing by Miró, initiating their shared pursuit of inspired collecting that would continue for the rest of their lives. Rosa recalled: “sometimes we look at something, and I say, ‘Oh, isn’t that marvelous?’ and Aaron would respond, ‘It’s for us.’”i Founded in lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.
Rosa and Aaron Esman in Madrid, 1963 “A strong yellow… has a magnificent and noble effect… the eye is gladdened, the heart expands, the feelings are cheered, an immediate warmth seems to waft toward us.”
—Goethe, Theory of Color, 1810Josef Albers’ Study for Homage to the Square: Bright, 1962, consists of four nested squares of yellow, goldenrod, tangerine, and orange, keyed toward the bottom of the picture plane, which encapsulate the artist’s rigorous pursuit of color, composition, and balance in the field of painting. Begun around 1950 during his tenure as a visual arts instructor at the innovative Black Mountain School outside of Asheville, North Carolina, Albers worked on the series for over 25 years until the end of his life.
Josef Albers in his studio, August 1960. Image/Artwork: © The Josef and Anni Albers Foundation/Artists Rights Society (ARS), New York Born of Bauhaus principles of harmony and utility in art, the Homage series simplifies form and composition in order to best explore the optical interaction of color on the picture plane. This selective simplification is standard Modernist practice, as seen in Kasimir Malevich’s Black Square of 1915, but there is a conceptual basis to the work as well, similar to Frank Stella’s concentric square paintings of the 1960s. Study for Homage to the Square: Bright bridges Modernism and conceptualism, functioning as a throughline of painterly investigation in the 20th century.
Frank Stella, Gran Cairo, 1962. The Whitney Museum of American Art, New York. Image: © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY, Artwork: © 2023 ARS, NY Albers was a formidable academic presence in the theory of 20th century art, and his precision and systematic intensity come across in the formal rigor of his Homage series. Each work in the series, Study for Homage to the Square: Bright included, has the technical details of the composition carefully recorded on the reverse, like lab notes to a science experiment. The present work lists his process, from the ground of “7 coats of Liquitex” primer, to the final polymer varnish. Albers began each work with the center square, and painted each seemingly-overlapping outer square separately. He never mixed paint—instead, as he wrote on the reverse of Study for Homage to the Square: Bright, he applied it “all in one primary coat” and “all directly from the tube,” using small, unobtrusive marks in order to keep each band of color pure.ii The Masonite ground of each Homage underscores the flatness of the painted surface, keeping interest bound to the interaction of adjacent colors.
A detail of the reverse of the painting.
The Homage series interrogates how variations in tone, hue, saturation, and brightness affect our perceptions of color. The color yellow is present in all four bands of Study for Homage to the Square: Bright; as Albers’ notes on the verso of the work show, each colored band derives its pigment from compounds of cadmium. Working from the center outward, as transcribed by the artist, there is “Cadmium Orange, Pure Cadmium Yellow Deep, Cadmium Yellow Light,” and “Pure Cadmium Yellow Pale.”iii The chemical interrelatedness of these pigments mirrors their visual relationship on the picture plane; per Albers, the “choice of the colors used, as well as their order, is aimed at an interaction.”iv
“Look! The color orange is at the door and says to the yellow, ‘You go first.’ But the yellow is also polite and says, ‘No, you go first.’ They are like good friends and their conversation is very charming.”
—Josef AlbersThe color yellow held particular resonance for Albers—he once stated that he “was for years in the yellow period,” and saw the color as caring, curing, and uplifting.v These notions are surely inspired both by Goethe’s 1810 treatise, Theory of Color, and the natural associations of the color to sunlight, blossoming flowers, and glowing fires. Indeed, Study for Homage to the Square: Bright, seems to evoke the solar association most of all—not only by its poetic subtitle, Bright, but formally, as well. The center orange square radiates out into the bands of tangerine, goldenrod and yellow, a perfect, Modernist sunrise.
i Rosa Esman, interviewed by James McElhinney, "Oral History Interview with Rosa Esman," Archives of American Art, June 9–16, 2009, online.
ii“Josef Albers on his Homage to the Square,” Audio guide transcript, Solomon R. Gugghenheim Museum, New York, Nov. 30, 2017, online.
iii Artist’s strikethrough, see reverse of work.
iv Josef Albers, quoted in “Josef Albers on his Homage to the Square.”
v Josef Albers, quoted in “Oral history interview with Josef Albers, 1968 June 22-July 5,” transcript, Smithsonian Archives of American Art, Washington DC, online.
Provenance
Sidney Janis Gallery, New York
Rosa and Aaron Esman (acquired from the above on October 14, 1963)
Thence by descent to the present owners
Property from the Collection of Rosa and Aaron Esman
157
Study for Homage to the Square: Bright
incised with the artist’s monogram and date “A 62” lower right; signed, titled, inscribed and dated "Study for Homage to the Square: "Bright" Albers' 1962" on the reverse
oil on Masonite
24 x 24 in. (61 x 61 cm)
Painted in 1962.
This work will be included in the Catalogue Raisonné of Paintings by Josef Albers currently being prepared by the Josef and Anni Albers Foundation under number 1962.1.58.
Estimate
$300,000 - 500,000
Sold for $844,550
Specialist, Head of Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 May 2023
101
Lois Dodd
Burning House with Clapboards
Estimate $60,000 - 80,000
Sold for $215,900
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
I See Red: Redskin War Shirt
Estimate $25,000 - 35,000
Sold for $76,200
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103
Sylvia Snowden
Salvation
Estimate $60,000 - 80,000
Sold for $127,000
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104
Lynne Drexler
Matoaka Aflame
Estimate $60,000 - 80,000
Sold for $114,300
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105
Vivian Springford
Untitled (VS 20)
Estimate $60,000 - 80,000
Sold for $95,250
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106
Joan Mitchell
Untitled
Estimate $300,000 - 500,000
Sold for $825,500
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107
Sam Francis
Untitled SFF.771
Estimate $250,000 - 350,000
Sold for $571,500
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108
James Brooks
Noran
Estimate $30,000 - 40,000
Sold for $69,850
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109
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $152,400
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110
Vivian Springford
Untitled (Tanzania Series)
Estimate $80,000 - 120,000
Sold for $241,300
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111
This lot is no longer available.
112
Alex Katz
White Band (Katherine)
Estimate $400,000 - 600,000
Sold for $444,500
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113
Alex Katz
Danielle 3
Estimate $300,000 - 500,000
Sold for $304,800
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114
John Wesley
Phone
Estimate $80,000 - 120,000
Sold for $88,900
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115
Andy Warhol
O.J. Simpson
Estimate $300,000 - 500,000
Sold for $482,600
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116
Keith Haring
Untitled
Estimate $600,000 - 800,000
Sold for $952,500
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117
Roy Lichtenstein
Brushstroke Sculpture
Estimate $500,000 - 700,000
Sold for $1,016,000
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118
Joel Shapiro
Untitled
Estimate $300,000 - 500,000
Sold for $406,400
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119
John Chamberlain
TAOIST TOAST
Estimate $400,000 - 600,000
Sold for $444,500
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120
Tom Wesselmann
Cross Motion II
Estimate $150,000 - 250,000
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121
Sol LeWitt
Wall Drawing #1111 Circle with broken bands of color
Estimate $150,000 - 200,000
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122
Dan Flavin
untitled (for Ad Reinhardt) 1b
Estimate $150,000 - 200,000
Sold for $152,400
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123
Donald Judd
untitled (Menziken #91-175)
Estimate $500,000 - 700,000
Sold for $698,500
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124
Brice Marden
Untitled (#2A)
Estimate $450,000 - 650,000
Sold for $482,600
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125
Kenneth Noland
Pairs
Estimate $180,000 - 220,000
Sold for $241,300
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126
Mary Heilmann
Shaped Serape
Estimate $80,000 - 120,000
Sold for $152,400
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127
Sturtevant
Warhol Gold Marilyn
Estimate $200,000 - 300,000
Sold for $190,500
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128
Tom Wesselmann
Study for first face #4
Estimate $80,000 - 120,000
Sold for $114,300
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129
Tom Wesselmann
Mouth Fragment
Estimate $100,000 - 150,000
Sold for $101,600
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131
Wayne Thiebaud
Red Farm
Estimate $100,000 - 150,000
Sold for $127,000
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132
Philip Guston
Lemonade and Doughnuts
Estimate $100,000 - 150,000
Sold for $457,200
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133
Romare Bearden
Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County
Estimate $220,000 - 350,000
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134
Ernie Barnes
Hustlers
Estimate $70,000 - 100,000
Sold for $254,000
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135
Gertrude Abercrombie
Shell
Estimate $20,000 - 30,000
Sold for $63,500
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136
Gertrude Abercrombie
Doors with Cat and Shell
Estimate $60,000 - 80,000
Sold for $209,550
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137
Max Ernst
Taya's Sun
Estimate $100,000 - 150,000
Sold for $304,800
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138
Lucio Fontana
Concetto spaziale
Estimate $200,000 - 300,000
Sold for $482,600
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139
Jean Dubuffet
La liquidité du monde
Estimate $300,000 - 500,000
Sold for $444,500
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140
Francis Picabia
Suzanne
Estimate $120,000 - 180,000
Sold for $203,200
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141
Barry Flanagan RA
Hare
Estimate $200,000 - 300,000
Sold for $330,200
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142
Jean Dubuffet
Le fantasque
Estimate $200,000 - 300,000
Sold for $508,000
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143
Andy Warhol
Nosepicker II
Estimate $200,000 - 300,000
Sold for $228,600
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144
Andy Warhol
Girl in Park (Phipps)
Estimate $70,000 - 100,000
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145
Andy Warhol
Boy and Tree
Estimate $70,000 - 100,000
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146
George Condo
Take Yourself Away
Estimate $400,000 - 600,000
Sold for $482,600
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147
Julian Schnabel
Mi vida es una cumbre de mentiras
Estimate $70,000 - 100,000
Sold for $139,700
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148
David Wojnarowicz
The Anatomy and Architecture of June 19, 1953 (for Julius and Ethel Rosenberg)
Estimate $150,000 - 200,000
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149
David Wojnarowicz
Untitled (Time/Money) from the Ant series
Estimate $30,000 - 50,000
Sold for $57,150
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150
Martin Wong
St. Joseph's
Estimate $150,000 - 200,000
Sold for $190,500
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151
Martin Wong
Mandala
Estimate $40,000 - 60,000
Sold for $63,500
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152
Hugh Steers
At the Armoire
Estimate $40,000 - 60,000
Sold for $133,350
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153
Futura 2000
Self-Portrait of Picasso 1969
Estimate $30,000 - 50,000
Sold for $114,300
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154
This lot is no longer available.
155
Kenny Scharf
Somnoplaya
Estimate $200,000 - 300,000
Sold for $292,100
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156
Peter Saul
Chinese Cubist
Estimate $80,000 - 120,000
Sold for $120,650
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157
Josef Albers
Study for Homage to the Square: Bright
Estimate $300,000 - 500,000
Sold for $844,550
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158
Tom Wesselmann
Little Still Life #20
Estimate $200,000 - 300,000
Sold for $190,500
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159
Claes Oldenburg
Flying Pizza (Original Drawing for New York Ten)
Estimate $40,000 - 60,000
Sold for $50,800
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160
Roy Lichtenstein
Prototype for Fish and Sky
Estimate $40,000 - 60,000
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161
Roy Lichtenstein
Collage for Seascape
Estimate $70,000 - 100,000
Sold for $101,600
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162
Robert Mangold
A Rectangle and a Circle Within a Square
Estimate $80,000 - 120,000
Sold for $88,900
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163
Robert Mangold
Four Color Frame Painting #3
Estimate $60,000 - 80,000
Sold for $196,850
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164
Sol LeWitt
Open Cube Structure
Estimate $40,000 - 60,000
Sold for $63,500
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165
Ilya Bolotowsky
Rectangle Within a Circle
Estimate $20,000 - 30,000
Sold for $107,950
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166
Frank Stella
Fortín de las flores (Original Drawing for Ten from Leo Castelli)
Estimate $100,000 - 150,000
Sold for $190,500
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167
Sol LeWitt
Three-Part Drawing Using Three Colors In Each Part
Estimate $60,000 - 80,000
Sold for $44,450
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168
Sol LeWitt
Vertical Brushstrokes
Estimate $80,000 - 120,000
Sold for $95,250
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169
Ad Reinhardt
Untitled (Study for New York International)
Estimate $70,000 - 100,000
Sold for $76,200
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170
Stuart Davis
Study for a Drawing #1
Estimate $40,000 - 60,000
Sold for $38,100
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171
Giacomo Balla
Sottobicchiere
Estimate $20,000 - 30,000
Sold for $33,020
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172
Sonia Delaunay
Rythme couleur
Estimate $30,000 - 40,000
Sold for $76,200
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173
Joan Miró
Femmes devant le soleil (Women in Front of the Sun)
Estimate $200,000 - 300,000
Sold for $381,000
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174
Fernand Léger
Composition américaine aux éléments mécaniques
Estimate $15,000 - 20,000
Sold for $40,640
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175
Hannah Höch
Komposition
Estimate $10,000 - 15,000
Sold for $21,590
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176
Ben Nicholson
Red to Black
Estimate $40,000 - 60,000
Sold for $88,900
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177
František Kupka
Quatre histoires de blanc et noir
Estimate $20,000 - 30,000
Sold for $22,860
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178
Paul Klee
Schatten Fürstin (Princess of the Shadows)
Estimate $20,000 - 30,000
Sold for $50,800
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179
Auguste Herbin
Composition cubiste
Estimate $15,000 - 20,000
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180
Adolf Wölfli
Untitled
Estimate $25,000 - 35,000
Sold for $63,500
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181
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
Sold for $60,960
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182
Lee Lozano
Untitled
Estimate $15,000 - 20,000
Sold for $38,100
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183
Gerhard Richter
Untitled
Estimate $30,000 - 40,000
Sold for $88,900
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184
Tom Sachs
118 Composition No. III; Composition with Red, Blue, Yellow, and Black (Mondrian)
Estimate $50,000 - 70,000
Sold for $158,750
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185
Tom Sachs
Gucci Vice on Pedestal
Estimate $15,000 - 20,000
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186
Jacques Villeglé
Rue de Beaune
Estimate $10,000 - 15,000
Sold for $8,890
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187
Alfred Jensen
Magic in Egypt II
Estimate $7,000 - 10,000
Sold for $16,510
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188
Adolf Richard Fleischmann
Untitled
Estimate $10,000 - 15,000
Sold for $12,065
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189
Arman
The Seven Muses / Galaxiale
Estimate $30,000 - 40,000
Sold for $24,130
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190
Arman
Poubelle organique
Estimate $8,000 - 12,000
Sold for $16,510
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191
Christo
Valley Curtain (Project for Colorado) Grand Hogback, 7 Miles North from Rifle
Estimate $60,000 - 80,000
Sold for $107,950
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192
Christo
Otterlo Mastaba (Project for Rijksmuseum Kröller-Müller)
Estimate $12,000 - 18,000
Sold for $19,050
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193
George Rickey
Sedge with Trapezoids
Estimate $20,000 - 30,000
Sold for $40,640
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194
Mark di Suvero
Untitled
Estimate $20,000 - 30,000
Sold for $66,040
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195
Tom Wesselmann
Study for Nude (Study for 7 Objects in a Box)
Estimate $40,000 - 60,000
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196
Tom Wesselmann
Open Ended Nude (Drawing Edition)
Estimate $25,000 - 35,000
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197
Keith Haring
Untitled (Elvis Presley)
Estimate $150,000 - 200,000
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198
Keith Haring
Untitled
Estimate $180,000 - 220,000
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199No Reserve
Francesco Clemente
Tale
Estimate $10,000 - 15,000 •
Sold for $41,910
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200
John Wesley
Good Night Mary
Estimate $30,000 - 50,000
Sold for $38,100
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201
Andy Warhol
Dollar Sign
Estimate $50,000 - 70,000
Sold for $95,250
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202
Andy Warhol
Ladies and Gentlemen
Estimate $30,000 - 40,000
Sold for $27,940
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203
Jean-Michel Basquiat
Untitled (Insect Order)
Estimate $40,000 - 60,000
Sold for $35,560
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204
Robert Rauschenberg
Sherbet Tree (Slide)
Estimate $40,000 - 60,000
Sold for $48,260
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205
Sam Francis
Untitled
Estimate $80,000 - 120,000
Sold for $139,700
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206
Grace Hartigan
Chapeau de Castella
Estimate $50,000 - 70,000
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207
Helen Frankenthaler
Coyote Dawn
Estimate $150,000 - 250,000
Sold for $304,800
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208
Sol LeWitt
Horizontal Lines in Color (More Or Less)
Estimate $80,000 - 120,000
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209
Sam Gilliam
Focus II
Estimate $50,000 - 70,000
Sold for $88,900
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210
Beauford Delaney
Untitled
Estimate $30,000 - 50,000
Sold for $57,150
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211
Adolph Gottlieb
The Hunter
Estimate $30,000 - 50,000
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212
Arshile Gorky
Study for Nighttime, Enigma and Nostalgia
Estimate $40,000 - 60,000
Sold for $66,040
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213
Adolph Gottlieb
Liberation
Estimate $40,000 - 60,000
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214
Fernand Léger
Jeune fille à la branche
Estimate $200,000 - 300,000
Sold for $228,600
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215
Moïse Kisling
Nu allongé
Estimate $70,000 - 100,000
Sold for $82,550
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216
Françoise Gilot
Nude on the Beach by the Sea
Estimate $6,000 - 8,000
Sold for $22,860
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217
Milton Avery
Young Mother and Child
Estimate $70,000 - 100,000
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218
This lot is no longer available.
219
Reginald Marsh
Coney Island
Estimate $30,000 - 50,000
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220
Milton Avery
Pilgrim Tower
Estimate $40,000 - 60,000
Sold for $40,640
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221
Milton Avery
Still Life
Estimate $18,000 - 25,000
Sold for $20,320
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222
Leonora Carrington
Four works: (i) Study for Snake-Bite Floripondio; (ii) Study for Mural El Mundo Magico de Los Mayas; (iii) Untitled; (iv) Untitled
Estimate $30,000 - 40,000
Sold for $25,400
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223
Francisco Toledo
Pez con toro
Estimate $70,000 - 90,000
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224
Pedro Coronel
Danza mágica
Estimate $100,000 - 150,000
Sold for $120,650
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225
Mario Carreño
La lavandera (The Laundress)
Estimate $100,000 - 150,000
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226
Fernando Botero
The Gardener
Estimate $70,000 - 100,000
Sold for $139,700
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227
Fernando Botero
Reclining Woman (Donna sdraiata)
Estimate $200,000 - 300,000
Sold for $279,400
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228
Alfredo Ramos Martínez
La India de las tunas (Indian Woman with Prickly Pears)
Estimate $25,000 - 35,000
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229
Aldo Bonadei
Landscape
Estimate $15,000 - 20,000
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230
Sergio Camargo
Sem título
Estimate $250,000 - 350,000
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231
León Ferrari
Untitled
Estimate $30,000 - 40,000
Sold for $31,750
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232
Sergio Camargo
Sem título (#425-A)
Estimate $18,000 - 25,000
Sold for $35,560
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233
Louise Nevelson
Model for the Torah Ark Doors of Temple Beth El
Estimate $30,000 - 50,000
Sold for $30,480
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234
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $30,480
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235
Magdalena Abakanowicz
Untitled
Estimate $40,000 - 60,000
Sold for $50,800
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236
Bruce Nauman
Untitled (Cross Beams)
Estimate $30,000 - 40,000
Sold for $27,940
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237
Bernar Venet
9 Acute Unequal Angles
Estimate $60,000 - 80,000
Sold for $69,850
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238
Victor Vasarely
Hazay-a
Estimate $60,000 - 80,000
Sold for $69,850
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239
Kenneth Noland
Reborn
Estimate $80,000 - 120,000
Sold for $114,300
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240
Deborah Remington
Cambay
Estimate $30,000 - 50,000
Sold for $76,200
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241
Thomas Downing
Untitled
Estimate $30,000 - 40,000
Sold for $44,450
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242
Ralph Humphrey
October Light
Estimate $18,000 - 25,000
Sold for $24,130
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243
Thomas Nozkowski
Untitled (8-64)
Estimate $10,000 - 15,000
Sold for $48,260
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244
Maurice Sievan
Zoogarluk
Estimate $15,000 - 20,000
Sold for $279,400
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245
Shusaku Arakawa
Sculpting
Estimate $18,000 - 25,000
Sold for $69,850
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246
George Condo
Untitled (Impressions)
Estimate $30,000 - 40,000
Sold for $127,000
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247
Alex Katz
Ada (Orange)
Estimate $60,000 - 80,000
Sold for $101,600
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248
Alex Katz
Study for Bird
Estimate $25,000 - 35,000
Sold for $40,640
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249
Robert Indiana
Spring Gold
Estimate $30,000 - 50,000
Sold for $53,340
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250
Richard Estes
Venice-imbarcadero a palazzo ducale
Estimate $35,000 - 45,000
Sold for $88,900
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251
George L. K. Morris
St. Étienne-du-Mont, No. 2
Estimate $10,000 - 15,000
Sold for $10,160
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252
Max Weber
The Refugees
Estimate $6,000 - 8,000
Sold for $7,620
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253
Sir Jacob Epstein
Sir Winston Churchill
Estimate $30,000 - 50,000
Sold for $95,250
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254
Pablo Picasso
Head of a Boy
Estimate $60,000 - 90,000
Sold for $107,950
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255
Alexander Calder
Flyball Governor
Estimate $40,000 - 60,000
Sold for $76,200
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256
Alexander Calder
Untitled (Cartoon for Centre Square, Philadelphia Banner)
Estimate $30,000 - 40,000
Sold for $69,850
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257
Hermann Nitsch
Wiener Sezession
Estimate $15,000 - 20,000
Sold for $21,590
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258
Sam Gilliam
Untitled
Estimate $20,000 - 30,000
Sold for $40,640
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259
Sol LeWitt
Wavy Vertical Brushstrokes
Estimate $16,000 - 20,000
Sold for $21,590
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260
Sol LeWitt
Tangled Bands
Estimate $12,000 - 18,000
Sold for $12,700
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