A. Gingeras, M. Holborn, and B. Schwabsky, The Triumph of Painting, London, 2005, p. 123 (illustrated)
Catalogue Essay
By working in an incredibly wide range of mediums – from sculpture to installation, film and photography to performance, rock music to print making and book design –and drawing on a range of references from past art-historical moments, Althoff elicits a free-associative attitude in his viewers and critics, who delight in pointing out this or that reference or congruence. The list of correspondences enumerated in the growing literature on the artist is predictably as diverse as the art itself. J. Kantor, “TheTiesThat Bind,” Parkett, No. 75, NewYork, 2005, p.68