斯德哥爾摩Loyal畫廊
私人收藏
倫敦，富藝斯，2015 年 6 月 30 日，拍品編號 229
私人收藏
倫敦，蘇富比，2019 年 8 月 22 日，拍品編號 1
私人收藏
倫敦，Piasa，2021 年 7 月 8 日，拍品編號 26
現藏者購自上述拍賣
Stockholm, Loyal Gallery, KISS ME KATE: Katherine Bernhardt, 9 March - 14 April 2007
American • 1975
Katherine Bernhardt, whether in her paintings or make-shift Moroccan rugs, is rapt by neons and geometries. The artist, who works in New York, takes an almost hasty-flick of a brushstroke that lands as a jagged architectural form — figures cut in space and in buzzing colors that leave a mental trace.
Seemingly each month, multiple galleries, museums or art fairs across the world exhibit Bernhardt's large-scale fantasies and rug-centric installations, as seen in 2017 at Art Basel and with a solo retrospective at the Modern Art Museum of Fort Worth, Fort Worth. "I think the best painters don't intellectualize their own art—they just make stuff," she says; but with sharks circling trash in the water in today's climate, as is depicted in Sharks, Toilet Paper and Plantains, it's not hard to see Bernhardt's deeper meanings.
瀏覽更多作品
