KAWS - Evening & Day Editions London Thursday, January 23, 2025 | Phillips
  • KAWS’ Man's Best Friend is a captivating series of ten black-and-white screenprints that abstractly reinterpret Snoopy, the beloved beagle from Charles Schulz's Peanuts comic strip. In this work, KAWS transforms Snoopy into “Joe KAWS,” presenting the character in fragmented, layered compositions that emphasise bold, expressive linework and distorted forms. By isolating parts of Snoopy’s figure, the artist creates an abstraction that retains just enough recognisable features, allowing viewers to identify the iconic canine through KAWS’ unique artistic lens.
    “I found it weird how infused a cartoon could become in people's lives; the impact it could have, compared to regular politics.”
    —KAWS
    From 1950 until Schulz’s death in 2000, Peanuts appeared in national and international newspapers daily, embedding itself in the lives of generations worldwide. This cultural significance resonates with KAWS, who explains, “I’m into Schulz as an artist, a company, and an icon; I got into his stuff just because I liked the looseness of the line work, and I thought that it was just sort of a nice thing to bring into my paintings, even if it’s abstract and unidentifiable.”

    Man's Best Friend combines nostalgia with KAWS’ distinct contemporary visual language, paying homage to Schulz's fluid lines and the widespread emotional attachment to Peanuts. KAWS reflects on the cartoon’s impact, noting, “I found it weird how infused a cartoon could become in people's lives; the impact it could have, compared to regular politics.” This fascination with popular imagery is a central theme in KAWS' broader work, which often reimagines familiar cartoon figures to evoke memories of childhood, while also challenging the viewer’s understanding of abstraction and recognition. Rendered in simplified black and white, Man's Best Friend invites viewers to question the boundaries between abstraction and familiarity. KAWS himself asks, “What’s abstraction to somebody that knows something? If you look at something but then you know what it is, is it still abstraction?” This series encourages an exploration of that boundary, creating an experience that is both playful and thought-provoking.

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    • Artist Biography

      KAWS

      American • 1974

      To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy. 

      Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.  

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MAN'S BEST FRIEND

2016
The complete set of ten screenprints, on Saunders Waterford High White paper, the full sheets.
all S. 88.9 x 58.4 cm (35 x 22 7/8 in.)
All signed, dated and numbered 82/100 in pencil (there were also 20 artist's proofs), published by Pace Prints, New York, lacking the original portfolio box, all framed.

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Estimate
£20,000 - 30,000 

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Evening & Day Editions

London Auction 23 - 24 January 2025