藝術家收藏
紐約 Robert Miller 畫廊
現藏者於1995年2月購自上述來源
Cincinnati, Taft Museum; Miami, Florida International University Museum of Art; Austin, Laguna Gloria Museum of Art; St. Louis, Washington University Gallery of Art; Syracuse, Everson Museum of Art, Recent Sculpture by Louise Bourgeois, May 5, 1987–November 26, 1989, n.p. (illustrated)
Barcelona, Fundacio Caixa de Pensions, Pulsio, May 23–July 14, 1991, p. 16 (illustrated)
Monterrey, Galeria Ramis Barquet, Louise Bourgeois, October–November 1993, n.p. (illustrated)
Paris, Musée national d'art moderne, Centre Georges Pompidou, Féminin/Masculin, October 17, 1995–January 16, 1996, no. 225, pp. 167, 375 (illustrated, p. 167)
Donald Kuspit and Linda Weintraub, Process and Product: The Making of Eight Contemporary Masterworks, exh. cat., Edith C. Blum Art Institute, Bard College Center, Annandale-on-Hudson, 1987, p. 59 (illustrated)
Louise Bourgeois,, exh. cat., Frankfurter Kunstverein, 1990, no. 27, p. 37 (illustrated)
Thomas McEvilley, Sculpture in the Age of Doubt, New York, 1999, pp. 243, 245 (illustrated, p. 245)
French-American • 1911 - 2010
Known for her idiosyncratic style, Louise Bourgeois was a pioneering and iconic figure of twentieth and early twenty-first century art. Untied to an art historical movement, Bourgeois was a singular voice, both commanding and quiet.
Bourgeois was a prolific printmaker, draftsman, sculptor and painter. She employed diverse materials including metal, fabric, wood, plaster, paper and paint in a range of scale — both monumental and intimate. She used recurring themes and subjects (animals, insects, architecture, the figure, text and abstraction) as form and metaphor to explore the fragility of relationships and the human body. Her artworks are meditations of emotional states: loneliness, jealousy, pride, anger, fear, love and longing.
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