New York, The Museum of Modern Art, Projects: Louise Lawler, September 19 – November 10, 1987 (another example exhibited); Madrid, Caja de Pensiones, Art and its Double – A New York Perspective, February 6 – March 22, 1987, p. 82 (illustrated; another example exhibited); Saint Etienne, Maison de la Culture et de la Communication, Louise Lawler, November 12, 1986 – January 16, 1987, pp. 5, 11 and cover (illustrated; another example exhibited); Bolzano, Italy, Galleria Civica Stadtgalerie, Private View, July 7 – August 22, 1999, p. 46 (illustrated; another example exhibited)
D. Cameron, “Post-Feminism”, in G. Politi and H. Kontova, eds., Flash Art: Two Decades of History – XXI Years, Cambridge, MA 1990, p. 164 (illustrated); A. Grassi and A.B. Oliva, Critical Theory for a Private Collection, Milan 1993, p. 389 (illustrated); P. de Laboulaye and J. de Ponton d’Amécourt, Contemporary Photographs – Groupe Lhoist Collection, Belgium 1995, p. 91 (illustrated); B. Riemschneider and U. Grosenick, Art at the Turn of the Millennium, Taschen Verlag, Cologne 1999, p. 304 (illustrated); J. Meinhardt, Louise Lawler: An Arrangement of Pictures, New York 2000, p. 54 (illustrated)