普羅旺斯地區艾克斯私人收藏（1976年直接購自於倫敦藝術家本人）
現藏者於1978年繼承自上述來源
Lucie Rie - Hans Coper: Keramik, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1972, p. 11 for a similar example
John Houston, ed., Lucie Rie: A Survey of Her Life and Work, exh. cat., The Victoria and Albert Museum, London, 1981, p. 88 for a similar example
Margot Coatts, ed., Lucie Rie & Hans Coper-Potters in Parallel, exh. cat., Barbican Art Gallery, London, 1997, p. 114 for a similar example
Andrew Nairne and Eliza Spindel, eds., Lucie Rie: The Adventure of Pottery, exh. cat., Kettle's Yard, Cambridge, 2023, front cover, p. 98 for a similar example
Austrian • 1902 - 1995
Dame Lucie Rie studied under Michael Powolny at the Kunstgewerbeschule in Vienna before immigrating to London in 1938. In London she started out making buttons for the fashion industry before producing austere, sparsely decorated tableware that caught the attention of modernist interior decorators. Eventually she hit her stride with the pitch-perfect footed bowls and flared vases for which she is best-known today. She worked in porcelain and stoneware, applying glaze directly to the unfired body and firing only once. She limited decoration to incised lines, subtle spirals and golden manganese lips, allowing the beauty of her thin-walled vessels to shine through. In contrast with the rustic pots of English ceramicist Bernard Leach, who is considered an heir to the Arts and Crafts movement, collectors and scholars revere Rie for creating pottery that was in dialogue with the design and architecture of European Modernism.
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