Please note, this work has been promised for the traveling exhibition Milton Avery at Modern Art Museum of Fort Worth, Texas and the Royal Academy of Arts in London, November 7, 2021 – 16 October, 2022
Grace Borgenicht Gallery, New York
Mr. Harold Price Collection, New York
Christie’s, New York, November 28, 2012, lot 126
Acquired at the above sale by the present owner
London, Waddington Galleries, Milton Avery, March 2 - March 27, 1965, no. 3 (illustrated)
Allentown, Allentown Art Museum, Paintings by Milton Avery and His Family, September 4 - September 26, 1971, no. 23
New York, Borgenicht Gallery, The Landscape: Avery and the European Masters, February 1 - February 27, 1975
Storrs, University of Connecticut, The William Benton Museum of Art, Milton Avery and the Landscape, March 15 - April 16, 1976
Austin, The University of Texas Art Museum; Summit, Summit Art Center; Washington DC, The Phillips Collection, Milton Avery, Drawings & Paintings, December 5, 1976 - June 19, 1977
Sarasota, The John and Mable Ringling Museum of Art, Milton Avery Retrospective Exhibition, September 23 – October 31, 1977
Wichita, Ulrich Museum of Art, Milton Avery: Paintings and Prints, November 30, 1977 – January 15, 1978
New York, Borgenicht Gallery, Milton Avery: Major Paintings, April 15 - May 9, 1981 (illustrated, n.p)
New York, Whitney Museum of American Art, Milton Avery, September 16 - December 5, 1982, no. 65, pp. 87, 224 (illustrated)
Milwaukee, Milwaukee Art Museum; West Palm Beach, Norton Museum of Art, Milton Avery: The Late Paintings, November 30, 2001 - May 12, 2002
Charles Penbow, 'The Pale, Simplistic Isolation of Milton Avery', Saint Petersburg Times, Saint Petersburg, FL, October 15, 1977
Bonnie Lee Grad and Sally Michel Avery, Milton Avery, Royal Oak, MI, 1981, no. 27, p. 7 (illustrated)
Barbara Haskell, 'Milton Avery: “Why Talk When You Can Paint?”', Portfolio, New York, September-October 1982 (illustrated)