Mimmo Jodice (Naples, 1934) has used photography both to analyze reality and as an instrument of introspective investigation. His images document the impassioned interaction of the photographer’s eye with the world. Trittico Demetra, 1990, represents the vestals of the fascinating ancient world, testifying Jodice’s particular sensitivity to the world of archaeology and to the peoples whose stories became the myths of the Mediterranean world. Always choosing to work with the black and white, the three images are enriched by infinite tons of grey giving the subject a deep shade.