Pablo Picasso - Pablo Picasso: Paper and Clay London Thursday, June 6, 2024 | Phillips
  • Pablo Picasso’s penultimate artistic output is demonstrated through the production of a monumental number of 347 prints, after which Série 347 is named. In tandem with the knowledgeable printmaking brothers Piero and Aldo Crommelynck, Picasso’s burst of creative energy confides in us the erotic fantasies of an old man lacking the vigour of his younger years. In the series, we witness a compendium of writhing nude figures emerging from shadowy depths as they engage in lustful acts of debauchery. When exhibited at the Art Institute of Chicago soon after their release, the series was deemed so pornographic the exhibition was immediately closed down.

    “I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to; basically it’s my way of writing fiction.”
    —Pablo Picasso

    The graphic prints lack narrative sequence but epitomise Picasso’s journey in printmaking and desires in life. The cast of Picasso’s favourite characters reappear, from matadors to circus performers and flute-playing creatures from antiquity. These sexually-charged variations infuse Picasso’s technical virtuosity with recurring motifs, commemorating his artistic oeuvre envisioned with new stylistic fervour. Confiding in Françoise Gilot, “I have less and less time, and yet I have more and more to say,” these later works certainly retain Picasso’s extraordinary artistic vision and highly personable approach to printmaking despite his increasing years.

     

    In La Vie en Rose we witness a rendezvous of recognisable characters that appear at various intervals throughout Picasso’s career together in one image. There is no singular perspective, instead the bodies are presented as an almost indistinguishable twisting mass of limbs, adding to its salacious explicitness. This particular image in the series epitomises Picasso’s experimentation with tonal variations, using a variety of techniques to create depth between the bodies. Employing cross-hatching, geometric patterns and vigorously etched lines, these different impressions demonstrate Picasso’s technical virtuosity while adding to the energetic chaos of Picasso’s erotic fantasy.

    • Literature

      Georges Bloch 1560
      Brigitte Baer 1576

    • Artist Biography

      Pablo Picasso

      Spanish • 1881 - 1973

      One of the most dominant and influential artists of the 20th century, Pablo Picasso was a master of endless reinvention. While significantly contributing to the movements of Surrealism, Neoclassicism and Expressionism, he is best known for pioneering the groundbreaking movement of Cubism alongside fellow artist Georges Braque in the 1910s. In his practice, he drew on African and Iberian visual culture as well as the developments in the fast-changing world around him.

      Throughout his long and prolific career, the Spanish-born artist consistently pushed the boundaries of art to new extremes. Picasso's oeuvre is famously characterized by a radical diversity of styles, ranging from his early forays in Cubism to his Classical Period and his later more gestural expressionist work, and a diverse array of media including printmaking, drawing, ceramics and sculpture as well as theater sets and costumes designs. 

      View More Works

33

La vie en rose, plate 80 from Série 347 (Bl. 1560, Ba. 1576)

1968
Etching, on BFK Rives paper, with full margins.
I. 27.4 x 37.6 cm (10 3/4 x 14 3/4 in.)
S. 42.3 x 50.2 cm (16 5/8 x 19 3/4 in.)

Signed and numbered 6/50 in pencil (there were also 17 artist's proofs), published by Galerie Louise Leiris, Paris, 1969, framed.

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Estimate
£4,000 - 6,000 ‡♠

Sold for £8,255

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Pablo Picasso: Paper and Clay

London Auction 6 June 2024