After the First World War, British artist Paul Nash began spending his summers in Dymchurch, on the Kent coast. Describing the coastal village as “a delightful place with much inspiring material for work,” Nash began to produce some of his most celebrated work there. Executed in 1920, The Sluice, Dymchurch is part of a group of three lithographic prints that focus on the relationship between Dymchurch and the sea. The present lot depicts the large sea wall which had been designed to protect Romney March from flooding, alongside the Martello towers built at the start of the 19th century to avoid a Napoleonic invasion. A remarkable example of Paul Nash’s extensive body of work and striking printing abilities, The Sluice, Dymchurch confirms Nash’s rank as one of the most important British artists of the 20th century.