New York, Whitney Museum of American Art, The Contemporary Series Paul Pfeiffer, December 13, 2001 – February 24, 2002 (another example exhibited); Cambridge, MIT List Visual Arts Center, February 6 – April 6, 2003, and Chicago, Museum of Contemporary Art, Paul Pfeiffer, May 3 – August 31, 2003 (another example exhibited); Baltimore, Contemporary Museum, January 11 - March 11, 2003; Palm Beach Institute of Contemporary Art, April 12 - June 15, 2003, Innocence: The Debra and Dennis Scholl Collection (another example exhibited); Düsseldorf, Kunstsammlung Nordrhein-Westfalen, Paul Pfeiffer, June 12 – October 17, 2004 (another example exhibited); North Miami, Museum of Contemporary Art, November 13 – January 30, 2005; Milwaukee Art Museum, June 25 – September 25, 2005; and Tulsa, Philbrook Museum of Art, January 22 – March 26, 2006 (another example exhibited), Cut: Film as Found Object in Contemporary Video
K. Siegal, “Paul Pfeiffer”, ArtForum, Summer, 2000; H. Cotter, “Paul Pfeiffer”, The New York Times, January 18, 2001, p. E44; L. Yablonsky, “Making Microart That Can Suggest Macrotruths”, The New York Times, December 9, 2001, p. AR39; H. Halle, “Prize Fighter: Paul Pfeiffer’s Latest Work Proves He’s a Contender”, Time Out New York, January 10 – 17, 2002, pp. 60-61; F. Sirmans, “Paul Pfeiffer”, Artcritical.com, Spring, 2002; J. Farver and D. Molon, eds., Paul Pfeiffer, Cambridge, 2003, pp. 16-17 (illustrated); D. Murphy, ed., Innocence: The Debra and Dennis Scholl Collection, Lake Worth/Baltimore, 2003, p. 101 (illustrated); S. Basilico, ed., Cut: Film as Found Object in Contemporary Video, Wisconsin, 2004, p. 38, and pp. 102-103 (illustrated); M. B. Nicola and T. Lenoir, New Philosophy for a New Media, Cambridge, Massachusetts, 2004, pp. 30-31; Kunstammlung Nordhein-Westfalen, ed., Paul Pfeiffer, Ostfildern-Ruit, 2004, pp. 54-55 (illustrated)