Barbara Gladstone Gallery, New York; Lucas Schoormans, New York
Magasin Centre National d’Art Contemporin de Grenoble, Richard Prince, 25 September – 27 November, 1988; Museum für Gegenwartskunst Basel, Richard Prince Photographs, 8 December, 2001 – 24 February, 2002; Kunstmuseum Wolfsburg, Richard Prince Principal Gemälde und Fotografien 1977 – 2001, 27 April – 28 July, 2002
Exhibition Catalogue, Museum für Gegenwartskunst Basel; Kunsthalle Zürich, Richard Prince: Photographs 2002, p.88 (illustrated)
American • 1947
For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.
Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.
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