New York, Barbara Gladstone Gallery, Robert Gober, Craigie Horsfield and Lawrence Weiner, June 9 – July 27, 1990 (another example exhibited)
New York, Josh Baer Gallery, The Andrew Glover Youth Program Benefit Exhibition, November 2-15, 1990
New York, Jack Tilton Gallery, Forbidden Games, January 3 – February 2, 1991 (another example exhibited)
Kassel, Documenta IX, June 13 - September 20, 1992 (another example exhibited)
New York, Wooster Gardens, Les Enfants Terribles, July 31, 1992 (another example exhibited)
Rotterdam, Museum Boymans-van Beuningen, Portrait, Still Life, Landscape: A Selection by Robert Wilson from the Collections of the Boymans-van Beuningen Museum, May 16 - July 11, 1993, n.p. (another example exhibited and illustrated)
Ridgefield, The Aldrich Museum of Contemporary Art, Fall From Fashion, May 23 - September 26, 1993, pp. 78-79 (another example exhibited and illustrated)
Ridgefield, The Aldrich Museum of Contemporary Art, 30 Years: Art in the Present Tense. The Aldrich's Curatorial History, 1964-1994, May 15 - September 18, 1994, n.p. (another example exhibited)
Basel, Museum für Gegenwartskunst, Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, June 5 - October 19, 1994 (another example exhibited)
New York, Curt Marcus Gallery and Timothy Baum, Sculpture as Objects: 1915-1995, April 28 – May 28, 1995, n.p. (another example exhibited and illustrated)
Kunsthalle Zürich, Playpen & Corpus Delirium, October 5 - December 29, 1996 (another example exhibited)
Hamburg, Deichtorhallen, Emotion - Junge britische und amerikanische Kunst aus der Sammlung Goetz/Young British and American Art from the Goetz Collection, October 30, 1998 - January 17, 1999, pp. 114, 182 (another example exhibited and illustrated)
Minneapolis, Walker Art Center; Malmö, Rooseum Center for Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden; San Francisco Museum of Modern Art, Robert Gober: Sculpture + Drawing, February 14, 1999 - September 5, 2000, pp. 119, 132 (another example exhibited and illustrated)
New York, Sara Meltzer's On View, I'm the Boss of Myself, May 5 – June 12, 1999 (another example exhibited)
Baltimore, The Contemporary Museum, IMPACT: Revealing Sources for Contemporary Art, September 25, 1999 - January 3, 2000 (another example exhibited)
Munich, Staatsgalerie moderner Kunst im Haus der Kunst, Food for the Mind: Die Sammlung Udo und Anette Brandhorst, June 9 - October 8, 2000, pp. 218, 248 (another example exhibited and illustrated)
New York, 48 Wall Street, Art Downtown: New York Painting and Sculpture, June 14 - September 15, 2002 (another example exhibited)
Los Angeles, The Museum of Contemporary Art, Artist's Gifts, June 22 - August 3, 2003 (another example exhibited)
Auckland Art Gallery Toi o Tamaki, Mixed-up Childhood, February 24 - May 22, 2005, pp. 67, 170 (another example exhibited and illustrated)
Oudenburg, Foundation De Elf Lijnen, Un salon pour Louise Bourgeois, December 17, 2006 – February 17, 2007, pp. 90-91 (another example exhibited and illustrated)
Toronto, Ydessa Hendeles Art Foundation, Dead! Dead! Dead!, April 1, 2007 – April 2008 (another example exhibited)
Charlotte, The Mint Museums, Contemporary, Cool and Collected, October 20 – December 30, 2007, pp. 60-61 (another example exhibited and illustrated)
Deurle, Belgium, Museum Dohndt-Dhaenens, Absence is the Highest Form of Presence, October 4 – November 29, 2009 (another example exhibited)
Alexander Braun, Robert Gober: Werke von 1976 bis heute, Nuremberg, 2003, p. 273 (another example illustrated)
Theodora Vischer, ed., Robert Gober: Sculptures and Installations 1979-2007, Basel, 2007, pp. 264-265 (another example illustrated)