Robert Mapplethorpe - Photographs New York Wednesday, October 9, 2024 | Phillips
  • “I had never seen a woman like that before. It was like looking at someone from another planet.”
    —Robert Mapplethorpe
    In 1980 Robert Mapplethorpe and Lisa Lyon embarked on a joint photographic project that explored themes of androgyny, classicism, erotica, and American subculture. Shortly after winning the First World Women’s Bodybuilding Championship in 1979, Lyon retired from the sport, seeing herself more as a performance artist than an athlete. At the same time, Mapplethorpe was beginning to broaden his circle of subjects. Lyon embodied a personality very similar to his own, and was a person willing to transform herself in every way for her art.  The result was a series of 117 portraits taken over a span of two years that show a range of characters floating between masculine and feminine, aimed at deconstructing gender stereotypes.

     

    This photograph of Lyon with the American flag draped over her arm, hinting at but not revealing the body behind it, is one of the premiere images from this celebrated series. It is one of three works by Mapplethorpe that presents the flag in an irreverent manner, preceded by Flag, 1977, showing a worn and tattered flag; and followed by Flag, 1987, which shows it flying backwards.

     

    This print was originally in the collection of Lisa Lyon.

    • Condition Report

    • Description

      View our Conditions of Sale.

    • Provenance

      Collection of Lisa Lyon
      Phillips de Pury & Company, New York, 16 October 2008, lot 126

    • Literature

      St. Martin's Press, Lady: Lisa Lyon, p. 17
      Grand Palais, Robert Mapplethorpe [Exposition], Paris, exh. cat., 2014, pl. 114

    • Artist Biography

      Robert Mapplethorpe

      American • 1946 - 1989

      After studying drawing, painting and sculpture at the Pratt Institute in the 1960s, Robert Mapplethorpe began experimenting with photography while living in the notorious Chelsea Hotel with Patti Smith. Beginning with Polaroids, he soon moved on to a Hasselblad medium-format camera, which he used to explore aspects of life often only seen behind closed doors.

      By the 1980s Mapplethorpe's focus was predominantly in the studio, shooting portraits, flowers and nudes. His depiction of the human form in formal compositions reflects his love of classical sculpture and his groundbreaking marriage of those aesthetics with often challenging subject matter. Mapplethorpe's style is present regardless of subject matter — from erotic nudes to self-portraits and flowers — as he ceaselessly strove for what he called "perfection of form."

      View More Works

PHOTOGRAPHS FROM THE COLLECTION OF DAVID LEVY AND AMANDA BOWMAN

320

Lisa Lyon

1982
Gelatin silver print, printed 1982.
15 1/4 x 15 1/4 in. (38.7 x 38.7 cm)
Signed, dated, and numbered AP 1/2 in ink in the margin; signed, dated, annotated in ink, and copyright credit reproduction limitation stamp on the reverse of the flush-mount. One from an edition of 10 plus 2 artist's proofs.

Full Cataloguing

Estimate
$25,000 - 35,000 

Place Advance Bid
Contact Specialist

Sarah Krueger
Head of Department, Photographs
skrueger@phillips.com

 

Vanessa Hallett
Worldwide Head of Photographs and Chairwoman, Americas
vhallett@phillips.com

Photographs

New York Auction 9 October 2024