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Between 1981 and 1996, Roy Lichtenstein created nearly twenty distinct freestanding Brushstroke sculptures, ranging from desk-sized to monumental, alongside several editioned sculptures. In each of these works, the artist takes the brushstroke motif, which appears in his graphic work as early as the 1960s, and turns it into three dimensions. In Brushstroke Sculpture, 1982, we are faced with a four and a half-foot tall solid bronze depiction of six swift motions of paint rendered in vivid primary colors, each housed within a dramatic black border. The strokes are captured as if in action, leaving lingering bits of black paint drips in their wake, mid-air. The center of the sculpture is anchored by two large red strokes of paint forming an upside-down T shape, balancing upon bits of white and yellow, which connect to an oval base. By giving the bronze a shiny patina, Lichtenstein illustrates the raw, expressive materiality of the subject in a way that resembles wet paint. The wet brushstrokes are now pure subject matter, the act of painting broken down to its most basic form—moving paint across a canvas with a brush—while challenging the notion that a brushstroke is just a tool in a painter’s arsenal. In 3D form, Lichtenstein’s brushstrokes are not just a means to an end, but rather the end itself. As Diane Waldman aptly stated on the occasion of the artist’s 1993 retrospective, "...Lichtenstein implies that painting can be reduced to a sign and that brushstrokes can be the means by which we recognize, not only a style – but content.” i
“Visible brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture.”
—Roy LichtensteinLichtenstein’s revolutionary Brushstroke Sculptures mark a critical moment in his career when he began to explore the concept of actual art making within the context of the Pop Art movement. In his bold and poignant style, Lichtenstein renders the brushstroke as an iconic and discernable symbol—one that appears repeatedly throughout his oeuvre. While the 1981-1986 brushstroke sculptures like the present work are abstract in nature, in 1987, he starts to use the brushstroke motif as a building block in three-dimensional portraits in the Brushstroke Heads. Like Warhol, who recontextualized his 1960s screens in his later work, Lichtenstein refers to his own symbols again and again throughout his practice so that we associate him with icons such as the 3D brushstroke. Recognized for their importance in the artist’s prolific oeuvre, other examples of the Brushstroke Sculptures are housed in esteemed public collections such as the Dayton Art Institute and the Walker Art Center, Minneapolis.
A detail of the present work Often turning to popular culture as a source for his work, Lichtenstein took inspiration from comic books for his first Brushstroke paintings of the 1960s. In particular, he based the motif on the story titled The Painting from Strange Suspense Stories, October 1964, which chronicles a brushstroke coming to life and haunting its painter. Lichtenstein’s earliest paintings of the subject matter place the isolated brushstroke on a background of his signature Ben-Day dots, with drips suspended in a sea of pattern. In the 1981-1986 Brushstroke Sculptures made decades later, Lichtenstein further enlivens this motif by creating an almost life-size representation of the gesture in three dimensions—an object we can walk around. Now, the backdrop is not a flat picture plane of dots, but the open air around it that we share.
God of Coligny, late 1st century AD. Image: Manuel Cohen / Scala Archives, Florence Lichtenstein’s first depictions of the brushstroke in his 1965-1967 paintings are also understood to be a reaction to Abstract Expressionism, the leading movement of the decade prior. Taking inspiration from artists like Jackson Pollock and Willem de Kooning, Lichtenstein was captivated by the painterly motions of their work and the manner in which their paint created rhythmic harmonies on the canvas. In his own interpretation, he takes the active strokes which dominated these 1950s canvases and treats them like subjects of a portrait, in a way which monumentalizes the gesture. In the sculptures of the 1980s, this is taken a step further through the subject’s casting in bronze, exaggerating the idea that the brushstrokes are main characters in their own right—now as if elevating them to the status of an ancient Roman bust. In his distinct Pop vernacular, Lichtenstein’s parody of Abstract Expressionism becomes commercial and reproducible. As such, the present work provokes an important conversation about the significance of painting.
i Diane Waldman, Roy Lichtenstein, exh. cat., Solomon R. Guggenheim Museum, New York, 1993, pp. 156-157.
Provenance
Leo Castelli Gallery, New York
Galerie Beyeler, Basel
James Goodman Gallery, New York
Betty Freeman, Beverly Hills (acquired in 1985)
Christie's Private Sales, New York
Acquired from the above by the present owner in 2009Exhibited
Paris, Galerie Daniel Templon, Roy Lichtenstein: Oeuvres Récentes, January–February 1983, p. 220 (another example illustrated and exhibited)
New York, Leo Castelli Gallery, Sculpture, June 11–September 1983 (another example exhibited)
Tokyo, Nantenshi Gallery; Nagoya, Gallery Humanité, Roy Lichtenstein: Recent Painting and Sculpture, June 6–July 9, 1983 (another example exhibited)
Ontario, Gallery Stratford; Toronto, College Park; Musée du Quebec; Halifax, Art Gallery of Nova Scotia; Art Gallery of Windsor; Edmonton Art Gallery; Vancouver Art Gallery; Calgary, Glenbow Museum; Montreal, Musée d'Art Contemporain, American Accents, June 1983–January 1985, n.p. (another example illustrated and exhibited)
New York, Leo Castelli Gallery, Sculpture: John Chamberlain, Sandro Chia, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, Julian Schnabel, Richard Serra, Lawrence Weiner, June–September 1983 (another example exhibited)
New York, Sixty-Five Thompson Street, Roy Lichtenstein Bronze Sculpture 1976-1989, May 19–July 1, 1989, no. 23, pp. 64, 65, 89 (another example exhibited and illustrated, p. 65)
Mexico City, Museo del Palacio de Bella Artesa; Museo de Arte Contemporáneo de Monterrey; Washington, D.C., Corcoran Gallery of Art; Valencia, Instituto Valenciano de Art Moderno; A Coruña, Fundación Pedro Barrié de la Maza, Roy Lichtenstein: Imágenes Reconocibles: Escultura, Pintura y Grafica, July 9, 1998–April 23, 2000; then traveled as Lisbon, Centro Cultural de Belem, Roy Lichtenstein: Imagens Reconhecíveis, May 11–August 15, 2000, no. 89, pp. 18, 140 (another example exhibited and illustrated)
Roslyn Harbor, Nassau County Museum of Art, Long Island Collects: An Exhibition Celebrating Art from Long Island Collections, May 12–August 4, 2002 (another example exhibited)
Roslyn Harbor, Nassau County Museum of Art, Master Artworks from Private Collections, August 21–November 6, 2005 (another example exhibited)
New York, James Goodman Gallery, Roy Lichtenstein, Works on Paper: A Retrospective, November 20–December 20, 2006, n.p. (installation view of another example illustrated)
Mänttä, Serlachius Museum Gösta, SuperPop!, June 14–November 14, 2014, pp. 82-83 (illustrated, p. 83)
Salzburg, Galerie Thaddaeus Ropac, Roy Lichtenstein: The Loaded Brush, July 27–September 28, 2019 (another example exhibited)
Property from an Esteemed Private Collection
117
Brushstroke Sculpture
incised with the artist's signature, number, foundry mark and date "6/6 rf Lichtenstein '82" on the base
paint on patinated bronze
54 1/4 x 27 1/2 x 11 in. (137.8 x 69.9 x 27.9 cm)
Executed in 1982, this work is number 6 from an edition of 6.
Estimate
$500,000 - 700,000
Sold for $1,016,000
Specialist, Head of Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 May 2023
101
Lois Dodd
Burning House with Clapboards
Estimate $60,000 - 80,000
Sold for $215,900
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102
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
I See Red: Redskin War Shirt
Estimate $25,000 - 35,000
Sold for $76,200
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103
Sylvia Snowden
Salvation
Estimate $60,000 - 80,000
Sold for $127,000
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104
Lynne Drexler
Matoaka Aflame
Estimate $60,000 - 80,000
Sold for $114,300
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105
Vivian Springford
Untitled (VS 20)
Estimate $60,000 - 80,000
Sold for $95,250
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106
Joan Mitchell
Untitled
Estimate $300,000 - 500,000
Sold for $825,500
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107
Sam Francis
Untitled SFF.771
Estimate $250,000 - 350,000
Sold for $571,500
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108
James Brooks
Noran
Estimate $30,000 - 40,000
Sold for $69,850
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109
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $152,400
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110
Vivian Springford
Untitled (Tanzania Series)
Estimate $80,000 - 120,000
Sold for $241,300
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111
This lot is no longer available.
112
Alex Katz
White Band (Katherine)
Estimate $400,000 - 600,000
Sold for $444,500
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113
Alex Katz
Danielle 3
Estimate $300,000 - 500,000
Sold for $304,800
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114
John Wesley
Phone
Estimate $80,000 - 120,000
Sold for $88,900
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115
Andy Warhol
O.J. Simpson
Estimate $300,000 - 500,000
Sold for $482,600
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116
Keith Haring
Untitled
Estimate $600,000 - 800,000
Sold for $952,500
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117
Roy Lichtenstein
Brushstroke Sculpture
Estimate $500,000 - 700,000
Sold for $1,016,000
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118
Joel Shapiro
Untitled
Estimate $300,000 - 500,000
Sold for $406,400
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119
John Chamberlain
TAOIST TOAST
Estimate $400,000 - 600,000
Sold for $444,500
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120
Tom Wesselmann
Cross Motion II
Estimate $150,000 - 250,000
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121
Sol LeWitt
Wall Drawing #1111 Circle with broken bands of color
Estimate $150,000 - 200,000
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122
Dan Flavin
untitled (for Ad Reinhardt) 1b
Estimate $150,000 - 200,000
Sold for $152,400
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123
Donald Judd
untitled (Menziken #91-175)
Estimate $500,000 - 700,000
Sold for $698,500
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124
Brice Marden
Untitled (#2A)
Estimate $450,000 - 650,000
Sold for $482,600
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125
Kenneth Noland
Pairs
Estimate $180,000 - 220,000
Sold for $241,300
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126
Mary Heilmann
Shaped Serape
Estimate $80,000 - 120,000
Sold for $152,400
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127
Sturtevant
Warhol Gold Marilyn
Estimate $200,000 - 300,000
Sold for $190,500
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128
Tom Wesselmann
Study for first face #4
Estimate $80,000 - 120,000
Sold for $114,300
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129
Tom Wesselmann
Mouth Fragment
Estimate $100,000 - 150,000
Sold for $101,600
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131
Wayne Thiebaud
Red Farm
Estimate $100,000 - 150,000
Sold for $127,000
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132
Philip Guston
Lemonade and Doughnuts
Estimate $100,000 - 150,000
Sold for $457,200
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133
Romare Bearden
Sunset Limited from Profile/Part I, The Twenties: Mecklenburg County
Estimate $220,000 - 350,000
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134
Ernie Barnes
Hustlers
Estimate $70,000 - 100,000
Sold for $254,000
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135
Gertrude Abercrombie
Shell
Estimate $20,000 - 30,000
Sold for $63,500
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136
Gertrude Abercrombie
Doors with Cat and Shell
Estimate $60,000 - 80,000
Sold for $209,550
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137
Max Ernst
Taya's Sun
Estimate $100,000 - 150,000
Sold for $304,800
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138
Lucio Fontana
Concetto spaziale
Estimate $200,000 - 300,000
Sold for $482,600
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139
Jean Dubuffet
La liquidité du monde
Estimate $300,000 - 500,000
Sold for $444,500
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140
Francis Picabia
Suzanne
Estimate $120,000 - 180,000
Sold for $203,200
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141
Barry Flanagan RA
Hare
Estimate $200,000 - 300,000
Sold for $330,200
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142
Jean Dubuffet
Le fantasque
Estimate $200,000 - 300,000
Sold for $508,000
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143
Andy Warhol
Nosepicker II
Estimate $200,000 - 300,000
Sold for $228,600
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144
Andy Warhol
Girl in Park (Phipps)
Estimate $70,000 - 100,000
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145
Andy Warhol
Boy and Tree
Estimate $70,000 - 100,000
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146
George Condo
Take Yourself Away
Estimate $400,000 - 600,000
Sold for $482,600
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147
Julian Schnabel
Mi vida es una cumbre de mentiras
Estimate $70,000 - 100,000
Sold for $139,700
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148
David Wojnarowicz
The Anatomy and Architecture of June 19, 1953 (for Julius and Ethel Rosenberg)
Estimate $150,000 - 200,000
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149
David Wojnarowicz
Untitled (Time/Money) from the Ant series
Estimate $30,000 - 50,000
Sold for $57,150
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150
Martin Wong
St. Joseph's
Estimate $150,000 - 200,000
Sold for $190,500
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151
Martin Wong
Mandala
Estimate $40,000 - 60,000
Sold for $63,500
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152
Hugh Steers
At the Armoire
Estimate $40,000 - 60,000
Sold for $133,350
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153
Futura 2000
Self-Portrait of Picasso 1969
Estimate $30,000 - 50,000
Sold for $114,300
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154
This lot is no longer available.
155
Kenny Scharf
Somnoplaya
Estimate $200,000 - 300,000
Sold for $292,100
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156
Peter Saul
Chinese Cubist
Estimate $80,000 - 120,000
Sold for $120,650
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157
Josef Albers
Study for Homage to the Square: Bright
Estimate $300,000 - 500,000
Sold for $844,550
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158
Tom Wesselmann
Little Still Life #20
Estimate $200,000 - 300,000
Sold for $190,500
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159
Claes Oldenburg
Flying Pizza (Original Drawing for New York Ten)
Estimate $40,000 - 60,000
Sold for $50,800
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160
Roy Lichtenstein
Prototype for Fish and Sky
Estimate $40,000 - 60,000
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161
Roy Lichtenstein
Collage for Seascape
Estimate $70,000 - 100,000
Sold for $101,600
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162
Robert Mangold
A Rectangle and a Circle Within a Square
Estimate $80,000 - 120,000
Sold for $88,900
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163
Robert Mangold
Four Color Frame Painting #3
Estimate $60,000 - 80,000
Sold for $196,850
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164
Sol LeWitt
Open Cube Structure
Estimate $40,000 - 60,000
Sold for $63,500
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165
Ilya Bolotowsky
Rectangle Within a Circle
Estimate $20,000 - 30,000
Sold for $107,950
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166
Frank Stella
Fortín de las flores (Original Drawing for Ten from Leo Castelli)
Estimate $100,000 - 150,000
Sold for $190,500
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167
Sol LeWitt
Three-Part Drawing Using Three Colors In Each Part
Estimate $60,000 - 80,000
Sold for $44,450
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168
Sol LeWitt
Vertical Brushstrokes
Estimate $80,000 - 120,000
Sold for $95,250
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169
Ad Reinhardt
Untitled (Study for New York International)
Estimate $70,000 - 100,000
Sold for $76,200
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170
Stuart Davis
Study for a Drawing #1
Estimate $40,000 - 60,000
Sold for $38,100
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171
Giacomo Balla
Sottobicchiere
Estimate $20,000 - 30,000
Sold for $33,020
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172
Sonia Delaunay
Rythme couleur
Estimate $30,000 - 40,000
Sold for $76,200
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173
Joan Miró
Femmes devant le soleil (Women in Front of the Sun)
Estimate $200,000 - 300,000
Sold for $381,000
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174
Fernand Léger
Composition américaine aux éléments mécaniques
Estimate $15,000 - 20,000
Sold for $40,640
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175
Hannah Höch
Komposition
Estimate $10,000 - 15,000
Sold for $21,590
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176
Ben Nicholson
Red to Black
Estimate $40,000 - 60,000
Sold for $88,900
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177
František Kupka
Quatre histoires de blanc et noir
Estimate $20,000 - 30,000
Sold for $22,860
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178
Paul Klee
Schatten Fürstin (Princess of the Shadows)
Estimate $20,000 - 30,000
Sold for $50,800
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179
Auguste Herbin
Composition cubiste
Estimate $15,000 - 20,000
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180
Adolf Wölfli
Untitled
Estimate $25,000 - 35,000
Sold for $63,500
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181
Jean Dubuffet
Personnage
Estimate $40,000 - 60,000
Sold for $60,960
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182
Lee Lozano
Untitled
Estimate $15,000 - 20,000
Sold for $38,100
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183
Gerhard Richter
Untitled
Estimate $30,000 - 40,000
Sold for $88,900
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184
Tom Sachs
118 Composition No. III; Composition with Red, Blue, Yellow, and Black (Mondrian)
Estimate $50,000 - 70,000
Sold for $158,750
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185
Tom Sachs
Gucci Vice on Pedestal
Estimate $15,000 - 20,000
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186
Jacques Villeglé
Rue de Beaune
Estimate $10,000 - 15,000
Sold for $8,890
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187
Alfred Jensen
Magic in Egypt II
Estimate $7,000 - 10,000
Sold for $16,510
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188
Adolf Richard Fleischmann
Untitled
Estimate $10,000 - 15,000
Sold for $12,065
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189
Arman
The Seven Muses / Galaxiale
Estimate $30,000 - 40,000
Sold for $24,130
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190
Arman
Poubelle organique
Estimate $8,000 - 12,000
Sold for $16,510
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191
Christo
Valley Curtain (Project for Colorado) Grand Hogback, 7 Miles North from Rifle
Estimate $60,000 - 80,000
Sold for $107,950
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192
Christo
Otterlo Mastaba (Project for Rijksmuseum Kröller-Müller)
Estimate $12,000 - 18,000
Sold for $19,050
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193
George Rickey
Sedge with Trapezoids
Estimate $20,000 - 30,000
Sold for $40,640
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194
Mark di Suvero
Untitled
Estimate $20,000 - 30,000
Sold for $66,040
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195
Tom Wesselmann
Study for Nude (Study for 7 Objects in a Box)
Estimate $40,000 - 60,000
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196
Tom Wesselmann
Open Ended Nude (Drawing Edition)
Estimate $25,000 - 35,000
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197
Keith Haring
Untitled (Elvis Presley)
Estimate $150,000 - 200,000
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198
Keith Haring
Untitled
Estimate $180,000 - 220,000
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199No Reserve
Francesco Clemente
Tale
Estimate $10,000 - 15,000 •
Sold for $41,910
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200
John Wesley
Good Night Mary
Estimate $30,000 - 50,000
Sold for $38,100
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201
Andy Warhol
Dollar Sign
Estimate $50,000 - 70,000
Sold for $95,250
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202
Andy Warhol
Ladies and Gentlemen
Estimate $30,000 - 40,000
Sold for $27,940
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203
Jean-Michel Basquiat
Untitled (Insect Order)
Estimate $40,000 - 60,000
Sold for $35,560
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204
Robert Rauschenberg
Sherbet Tree (Slide)
Estimate $40,000 - 60,000
Sold for $48,260
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205
Sam Francis
Untitled
Estimate $80,000 - 120,000
Sold for $139,700
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206
Grace Hartigan
Chapeau de Castella
Estimate $50,000 - 70,000
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207
Helen Frankenthaler
Coyote Dawn
Estimate $150,000 - 250,000
Sold for $304,800
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208
Sol LeWitt
Horizontal Lines in Color (More Or Less)
Estimate $80,000 - 120,000
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209
Sam Gilliam
Focus II
Estimate $50,000 - 70,000
Sold for $88,900
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210
Beauford Delaney
Untitled
Estimate $30,000 - 50,000
Sold for $57,150
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211
Adolph Gottlieb
The Hunter
Estimate $30,000 - 50,000
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212
Arshile Gorky
Study for Nighttime, Enigma and Nostalgia
Estimate $40,000 - 60,000
Sold for $66,040
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213
Adolph Gottlieb
Liberation
Estimate $40,000 - 60,000
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214
Fernand Léger
Jeune fille à la branche
Estimate $200,000 - 300,000
Sold for $228,600
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215
Moïse Kisling
Nu allongé
Estimate $70,000 - 100,000
Sold for $82,550
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216
Françoise Gilot
Nude on the Beach by the Sea
Estimate $6,000 - 8,000
Sold for $22,860
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217
Milton Avery
Young Mother and Child
Estimate $70,000 - 100,000
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218
This lot is no longer available.
219
Reginald Marsh
Coney Island
Estimate $30,000 - 50,000
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220
Milton Avery
Pilgrim Tower
Estimate $40,000 - 60,000
Sold for $40,640
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221
Milton Avery
Still Life
Estimate $18,000 - 25,000
Sold for $20,320
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222
Leonora Carrington
Four works: (i) Study for Snake-Bite Floripondio; (ii) Study for Mural El Mundo Magico de Los Mayas; (iii) Untitled; (iv) Untitled
Estimate $30,000 - 40,000
Sold for $25,400
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223
Francisco Toledo
Pez con toro
Estimate $70,000 - 90,000
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224
Pedro Coronel
Danza mágica
Estimate $100,000 - 150,000
Sold for $120,650
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225
Mario Carreño
La lavandera (The Laundress)
Estimate $100,000 - 150,000
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226
Fernando Botero
The Gardener
Estimate $70,000 - 100,000
Sold for $139,700
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227
Fernando Botero
Reclining Woman (Donna sdraiata)
Estimate $200,000 - 300,000
Sold for $279,400
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228
Alfredo Ramos Martínez
La India de las tunas (Indian Woman with Prickly Pears)
Estimate $25,000 - 35,000
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229
Aldo Bonadei
Landscape
Estimate $15,000 - 20,000
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230
Sergio Camargo
Sem título
Estimate $250,000 - 350,000
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231
León Ferrari
Untitled
Estimate $30,000 - 40,000
Sold for $31,750
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232
Sergio Camargo
Sem título (#425-A)
Estimate $18,000 - 25,000
Sold for $35,560
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233
Louise Nevelson
Model for the Torah Ark Doors of Temple Beth El
Estimate $30,000 - 50,000
Sold for $30,480
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234
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $30,480
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235
Magdalena Abakanowicz
Untitled
Estimate $40,000 - 60,000
Sold for $50,800
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236
Bruce Nauman
Untitled (Cross Beams)
Estimate $30,000 - 40,000
Sold for $27,940
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237
Bernar Venet
9 Acute Unequal Angles
Estimate $60,000 - 80,000
Sold for $69,850
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238
Victor Vasarely
Hazay-a
Estimate $60,000 - 80,000
Sold for $69,850
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239
Kenneth Noland
Reborn
Estimate $80,000 - 120,000
Sold for $114,300
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240
Deborah Remington
Cambay
Estimate $30,000 - 50,000
Sold for $76,200
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241
Thomas Downing
Untitled
Estimate $30,000 - 40,000
Sold for $44,450
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242
Ralph Humphrey
October Light
Estimate $18,000 - 25,000
Sold for $24,130
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243
Thomas Nozkowski
Untitled (8-64)
Estimate $10,000 - 15,000
Sold for $48,260
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244
Maurice Sievan
Zoogarluk
Estimate $15,000 - 20,000
Sold for $279,400
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245
Shusaku Arakawa
Sculpting
Estimate $18,000 - 25,000
Sold for $69,850
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246
George Condo
Untitled (Impressions)
Estimate $30,000 - 40,000
Sold for $127,000
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247
Alex Katz
Ada (Orange)
Estimate $60,000 - 80,000
Sold for $101,600
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248
Alex Katz
Study for Bird
Estimate $25,000 - 35,000
Sold for $40,640
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249
Robert Indiana
Spring Gold
Estimate $30,000 - 50,000
Sold for $53,340
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250
Richard Estes
Venice-imbarcadero a palazzo ducale
Estimate $35,000 - 45,000
Sold for $88,900
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251
George L. K. Morris
St. Étienne-du-Mont, No. 2
Estimate $10,000 - 15,000
Sold for $10,160
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252
Max Weber
The Refugees
Estimate $6,000 - 8,000
Sold for $7,620
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253
Sir Jacob Epstein
Sir Winston Churchill
Estimate $30,000 - 50,000
Sold for $95,250
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254
Pablo Picasso
Head of a Boy
Estimate $60,000 - 90,000
Sold for $107,950
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255
Alexander Calder
Flyball Governor
Estimate $40,000 - 60,000
Sold for $76,200
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256
Alexander Calder
Untitled (Cartoon for Centre Square, Philadelphia Banner)
Estimate $30,000 - 40,000
Sold for $69,850
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257
Hermann Nitsch
Wiener Sezession
Estimate $15,000 - 20,000
Sold for $21,590
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258
Sam Gilliam
Untitled
Estimate $20,000 - 30,000
Sold for $40,640
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259
Sol LeWitt
Wavy Vertical Brushstrokes
Estimate $16,000 - 20,000
Sold for $21,590
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260
Sol LeWitt
Tangled Bands
Estimate $12,000 - 18,000
Sold for $12,700
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