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"The whiteness of the painting makes it easier to see what’s there, makes the other colors more present and more dynamic. What you see and discover through the white surfaces of the paintings appears to be looking at you, peeking through this white finish."
—Sam GilliamOriginally commissioned for the Pisces Club in Georgetown in Washington, D.C. by the former director of the Corcoran Gallery, Aldus Chapin, Sam Gilliam’s Shimmering Pisces, 1976, is a striking and monumental example of the artist’s renowned minimalist paintings, which reflect the artist’s “ongoing pursuit of the perfect white painting.”i Combining his advancements in brushless painting techniques from his previous bodies of work with a newfound interest in collage, Gilliam’s so-called white paintings are an extraordinary testament to the artist’s constant pursuit of innovation. Depicting a top layer of white acrylic and collage material, the rich background of bold colors underneath, stained into the canvas itself, only reveals itself upon close inspection. The white paintings feature a level of restraint that distinguishes them from Gilliam’s earlier work; while his soak-stained canvases of the 1960s were vivid and conspicuous, these works are understated and subtle.
Sam Gilliam in his studio in the 1980s, Image: Anthony Barboza/Getty Images, Artwork: © Sam Gilliam / Artists Rights Society (ARS), New York Fields of Color
Having moved to Washington, D.C. in 1962, Gilliam was influenced by the Washington Color School artists such as Kenneth Noland and Morris Louis. In an effort to differentiate themselves from the New York School brand of Abstract Expressionism, the Washington Color School artists experimented with a variety of brushless painting techniques, including staining unprimed canvases with washes of color, and wrinkling and folding canvases before and after applying paint to them. Gilliam began experimenting with these techniques in the mid to late 1960s by pouring paint directly onto unstretched canvases to create stunning, abstract fields of color. Conceived in the early 1970s, the white paintings build upon these early explorations, while adding a new element: a layer of collage and acrylic impasto. Beginning with the same process—pouring paint onto an unstretched canvas and allowing the paint to stain the canvas—he then paints over the vibrant sub-layer of color with a thick, textured layer of white acrylic paint and pieces of canvas collage. The result is a backdrop of splendid colors hidden behind a textural layer of white. Concealing its vibrancy, the painting invites the viewer to look closely at the complexity of its layers and the harmonies created by the variety of color beneath the surface. Hiding behind the outer crust of snow-white, the rich, bold colors of the sub-stratum are more arresting than ever.
Morris Louis, Alpha-Pi, 1960. The Metropolitan Museum of Art, New York, Image: © The Metropolitan Museum of Art / Art Resource, NY, Artwork: © 2022 Maryland Institute College of Art (MICA), Rights Administered by Artist Rights Society (ARS), New York, All Rights Reserved Beveled-edge Paintings
Stretched out over two custom supports with beveled edges, Shimmering Pisces extends out from the wall into the viewer’s space. Part of an experiment that began in 1967 and seen throughout the rest of Gilliam’s career, the beveled-edge paintings are considered a major contribution to the history of abstract and minimalist painting.ii The effect of the technique is that the works seem to simultaneously sink into the wall, and project out from it towards the viewer, acting as both painting and sculpture. The diptych nature of the present work emphasizes its three-dimensional elements. Whether hung side-by-side, or on top of one another, the two canvases in Shimmering Pisces transform any space they inhabit. Like his famous drape paintings, the beveled-edge paintings distinguish Gilliam from his Washington Color School contemporaries as a relentless innovator, pushing the boundaries of what abstract art can be. As Jonathan P. Binstock writes, “Gilliam has always remained open to the idea that abstraction’s potential, both visual and conceptual, is limitless.”iii
i Jonathan P. Binstock, Sam Gilliam: A Retrospective, Berkeley and Los Angeles, 2005, p. 104.
ii Adrienne Edwards, “Sam Gilliam: Betwixt,” Sam Gilliam: 1967-1973, exh. cat., Mnuchin Gallery, New York, 2017, pp. 7-8.
iii Jonathan P. Binstock, Sam Gilliam: A Retrospective, Berkeley and Los Angeles, 2005, p. 15.Provenance
Aldus Chapin (commissioned for the Pisces Club, Georgetown, Washington, D.C.)
Acquired from the above by the present owner in 1978
156
Shimmering Pisces
indistinctly inscribed on the reverse of the right canvas
acrylic and canvas collage on beveled edge canvas, diptych
each 48 x 90 in. (121.9 x 228.6 cm)
Executed circa 1975.
Estimate
$250,000 - 350,000
Annie Dolan
Specialist, Head of Day Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 19 May 2022
101
Gerhard Richter
4.10.85 (3)
Estimate $20,000 - 30,000
Sold for $73,080
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102
Gerhard Richter
22.5.86 (2)
Estimate $15,000 - 20,000
Sold for $60,480
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103
Gerhard Richter
7.12.85
Estimate $120,000 - 180,000
Sold for $252,000
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104
Gerhard Richter
12.12.85
Estimate $120,000 - 180,000
Sold for $239,400
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105
Gerhard Richter
8.3.85
Estimate $120,000 - 180,000
Sold for $151,200
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106
Gerhard Richter
Nach 'Fallschirm' (After 'Parachute')
Estimate $120,000 - 180,000
Sold for $163,800
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107
Gerhard Richter
8.1.84 (1)
Estimate $15,000 - 20,000
Sold for $22,680
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108
Gerhard Richter
8.1.84 (2)
Estimate $15,000 - 20,000
Sold for $18,900
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109
Theodoros Stamos
Jewel of Memory
Estimate $15,000 - 20,000
Sold for $81,900
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110
Adolph Gottlieb
Two Figures
Estimate $50,000 - 70,000
Sold for $55,440
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111
Sam Francis
Untitled (SF88-399)
Estimate $150,000 - 250,000
Sold for $302,400
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112
John Chamberlain
The Vagabond's Prayer
Estimate $400,000 - 600,000
Sold for $378,000
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113
Sam Gilliam
With Blue and...
Estimate $200,000 - 300,000
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114
Vivian Springford
Untitled
Estimate $70,000 - 100,000
Sold for $144,900
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115
Mary Heilmann
Yellow, Red + Blue Drawing
Estimate $25,000 - 35,000
Sold for $126,000
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116
Mary Heilmann
Le Mans
Estimate $70,000 - 100,000
Sold for $189,000
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117
David Smith
Main Pribilof
Estimate $300,000 - 400,000
Sold for $277,200
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118
Norman Lewis
Eye of the Storm
Estimate $500,000 - 700,000
Sold for $604,800
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119
This lot is no longer available.
120
Jean-Michel Basquiat
Untitled
Estimate $600,000 - 800,000
Sold for $877,000
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121
George Condo
Untitled
Estimate $250,000 - 350,000
Sold for $504,000
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122
Dondi White
Reign Man Cometh
Estimate $40,000 - 60,000
Sold for $44,100
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123
Jean Dubuffet
Mire G 67 (Boléro)
Estimate $180,000 - 250,000
Sold for $214,200
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124
Kenny Scharf
PRIMARYBLOBZ
Estimate $80,000 - 120,000
Sold for $214,200
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125
Kenny Scharf
DR. PURPLE
Estimate $120,000 - 180,000
Sold for $302,400
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126
Robert Indiana
LOVE (Violet Faces Red Sides)
Estimate $600,000 - 800,000
Sold for $724,500
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127
Robert Indiana
Picasso
Estimate $600,000 - 800,000
Sold for $1,058,500
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128
Jim Dine
The King of Patches
Estimate $80,000 - 120,000
Sold for $113,400
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129
James Rosenquist
The Serenade for the Doll after Claude Debussy, Gift Wrapped Doll #22
Estimate $120,000 - 200,000
Sold for $138,600
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130
Alex Katz
Untitled
Estimate $150,000 - 200,000
Sold for $403,200
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131
Andy Warhol
Portrait of Hans Preben Smith
Estimate $100,000 - 150,000
Sold for $201,600
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132
Richard Pettibone
Roy Lichtenstein, 'Seductive Girl', 1964 Purple-Yellow
Estimate $15,000 - 20,000
Sold for $69,300
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133
Richard Pettibone
Andy Warhol, 'Mao'
Estimate $15,000 - 20,000
Sold for $20,160
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134
Richard Pettibone
Andy Warhol, ‘Two Jackies', 1964
Estimate $15,000 - 20,000
Sold for $37,800
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135
Richard Pettibone
Andy Warhol, 'Scotch Broth Soup', 1962
Estimate $15,000 - 20,000
Sold for $32,760
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136
Richard Pettibone
Andy Warhol, 'Campbell’s Soup Can', 1962
Estimate $15,000 - 20,000
Sold for $37,800
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137
Jim Dine
Two Hearts (Due Cuori)
Estimate $10,000 - 15,000
Sold for $69,300
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138
Tom Wesselmann
Final Study for Kate Nude
Estimate $70,000 - 100,000
Sold for $115,920
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139
Peter Saul
Bush Over Baghdad
Estimate $100,000 - 150,000
Sold for $163,800
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140
Malcolm Morley
Aegean Crime
Estimate $150,000 - 200,000
Sold for $327,600
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141
Ed Paschke
Dumattica
Estimate $20,000 - 30,000
Sold for $16,380
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142
Robert Colescott
Crocodile in the Sewer
Estimate $25,000 - 35,000
Sold for $52,920
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143
Philip Guston
Untitled (Drawing from the Phlebitis Series)
Estimate $80,000 - 120,000
Sold for $88,200
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144
Larry Rivers
Last Civil War Veteran
Estimate $20,000 - 30,000
Sold for $47,880
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145
Andy Warhol
Gun
Estimate $50,000 - 70,000
Sold for $126,000
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146
Ed Ruscha
Statistical Significance
Estimate $150,000 - 200,000
Sold for $189,000
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147
David Hockney
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 17 April
Estimate $150,000 - 200,000
Sold for $277,200
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148
Jennifer Bartlett
In the Garden #108
Estimate $80,000 - 120,000
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149
John Baldessari
Woman Looking at Plant (With Two Carrots)
Estimate $350,000 - 450,000
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150
Charles Ray
All my Clothes
Estimate $100,000 - 150,000
Sold for $170,100
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151
Vito Acconci
Modular Fluorescent Sofa
Estimate $30,000 - 50,000
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152
John McCracken
IOS
Estimate $60,000 - 80,000
Sold for $151,200
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153
Brice Marden
Untitled
Estimate $70,000 - 100,000
Sold for $75,600
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154
Sol LeWitt
Wall Drawing #1023: Isometric form
Estimate $120,000 - 180,000
Sold for $151,200
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155
Sam Gilliam
Reef II
Estimate $100,000 - 150,000
Sold for $371,700
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156
Sam Gilliam
Shimmering Pisces
Estimate $250,000 - 350,000
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157
Louise Nevelson
Rain Forest Column XXI
Estimate $100,000 - 150,000
Sold for $630,000
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158
Louise Nevelson
The Wedding Present
Estimate $300,000 - 400,000
Sold for $352,800
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159
Thierry De Cordier
Je Suis le Monde!
Estimate $80,000 - 120,000
Sold for $107,100
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160
John Chamberlain
Maquette
Estimate $30,000 - 50,000
Sold for $126,000
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161
Louise Nevelson
Cityscape
Estimate $35,000 - 50,000
Sold for $52,920
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162
Louise Bourgeois
Femme
Estimate $150,000 - 200,000
Sold for $352,800
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163
Louise Bourgeois
Untitled
Estimate $60,000 - 80,000
Sold for $100,800
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164
Alice Rahon
Main Street
Estimate $20,000 - 30,000
Sold for $44,100
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165
Alice Rahon
Dans la nuit du commencement
Estimate $50,000 - 70,000
Sold for $69,300
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166
Joseph Cornell
J. Eagels Autumnal - Spring
Estimate $40,000 - 60,000
Sold for $47,880
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167
Joseph Cornell
Isle of Children
Estimate $30,000 - 40,000
Sold for $63,000
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168
Joseph Cornell
Dovecote
Estimate $50,000 - 70,000
Sold for $63,000
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169
Joseph Cornell
Untitled
Estimate $5,000 - 7,000
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170
Joseph Cornell
The Garden Party
Estimate $7,000 - 10,000
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171
Alexander Calder
18 works: (i-xviii) Untitled
Estimate $25,000 - 35,000
Sold for $56,700
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172
Jamie Wyeth
Duck, Fence, and Stump
Estimate $50,000 - 70,000
Sold for $44,100
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173
Giorgio Morandi
Natura morta
Estimate $20,000 - 30,000
Sold for $25,200
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174
Fernand Léger
Femme à l'écharpe (Mrs. Chester Dale)
Estimate $35,000 - 45,000
Sold for $50,400
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175
Pablo Picasso
Two works: (i-ii) Maternité
Estimate $70,000 - 100,000
Sold for $107,100
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176
Francisco Zúñiga
Desnudo de anciana
Estimate $80,000 - 120,000
Sold for $59,850
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177
Fernando Botero
Woman with Serpent
Estimate $120,000 - 180,000
Sold for $176,400
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178
Salvador Dalí
Head of Dante
Estimate $30,000 - 50,000
Sold for $100,800
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179
Édouard Vuillard
La pipe
Estimate $20,000 - 30,000
Sold for $35,280
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180
Armand Guillaumin
Vue de la pointe d’Ivry
Estimate $80,000 - 120,000
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181
This lot is no longer available.
182
Fernand Léger
Untitled
Estimate $3,000 - 5,000
Sold for $44,100
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183
Georges Valmier
Untitled
Estimate $7,000 - 10,000
Sold for $11,970
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184
Georges Valmier
Untitled
Estimate $7,000 - 10,000
Sold for $6,930
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185
José Mijares
Lo concreto en rojo
Estimate $30,000 - 50,000
Sold for $50,400
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186
George Rickey
Inverted Column
Estimate $18,000 - 25,000
Sold for $40,320
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187
Larry Bell
9/11
Estimate $12,000 - 18,000
Sold for $11,970
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188
Suzan Frecon
Light & Earth
Estimate $70,000 - 100,000
Sold for $75,600
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189
Sam Gilliam
Untitled
Estimate $15,000 - 20,000
Sold for $88,200
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190
Louise Fishman
Door to the Studio
Estimate $6,000 - 8,000
Sold for $13,860
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191
Louise Fishman
Moment of Change
Estimate $12,000 - 18,000
Sold for $57,960
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192
Hermann Nitsch
Untitled
Estimate $15,000 - 20,000
Sold for $52,920
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193
Jules Olitski
Empress Love - 2
Estimate $10,000 - 15,000
Sold for $52,920
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194
Larry Poons
Untitled
Estimate $50,000 - 70,000
Sold for $157,500
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195
Ross Bleckner
Untitled
Estimate $40,000 - 60,000
Sold for $81,900
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196
Francesco Clemente
Ativiam
Estimate $12,000 - 18,000
Sold for $30,240
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197
George Condo
Etruscan Study
Estimate $80,000 - 120,000
Sold for $151,200
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198
John Wesley
Bonnets
Estimate $20,000 - 30,000
Sold for $37,800
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199
Ed Ruscha
So
Estimate $30,000 - 40,000
Sold for $119,700
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200
Andy Warhol
Two works: (i) Cabbage Patch Doll (Girl); (ii) Cabbage Patch Doll (Boy)
Estimate $30,000 - 40,000
Sold for $27,720
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201
Andy Warhol
Heinz Kosher Dill Pickles Jar with Alarm
Estimate $6,000 - 8,000
Sold for $18,900
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202
Andy Warhol
Three works (i-iii): Self-Portrait
Estimate $40,000 - 60,000
Sold for $50,400
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203
Gerhard Richter
Guildenstern
Estimate $20,000 - 30,000
Sold for $16,380
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204
Franz West
Untitled (Rasenmacher No. 80)
Estimate $25,000 - 35,000
Sold for $47,880
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205
James Lee Byars
Compositie
Estimate $6,000 - 9,000
Sold for $8,190
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206
Richard Artschwager
Untitled
Estimate $30,000 - 50,000
Sold for $37,800
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207
Wolf Kahn
Adams Barn
Estimate $30,000 - 50,000
Sold for $88,200
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