A. Heil and W. Schoppmann, eds., Most Wanted, Cologne, 2005, p. 137 (illustrated)
Catalogue Essay
Like other members of his generation, Thomas Scheibitz, a young German painter from Dresden, is finding new, brainy ways to blur the line between abstraction and representation. His version brings together the ironic obscureness of Sigmar Polke,early modernist sincerity, and a Pop Art like ilustrative methodicalness that is so complex it might be called paint-bynumbers to the nth power. R. Smith, “Thomas Scheibitz: Final Gold,” NewYork Times, January, 2000