Rüdiger Schöttle, Munich
Private Collection, Switzerland
Madrid, Museo Nacional Del Prado, Thomas Struth: Making Time, 6 February - 25 March 2007, p. 108 (another example exhibited and illustrated, p. 19)
Berlin, Galerie Max Hetzler, Thomas Struth: Making Time, 24 March - 21 April 2007 (another example exhibited)
New York, Marian Goodman Gallery, Thomas Struth: Making Time, 4 - 28 April 2007 (another example exhibited)
Milan, Galleria Monica de Cardenas, Thomas Struth, 10 May - 27 July 2007 (another example exhibited)
Museo de Arte Contemporánea de Vigo; San Sebastian, Koldo Mitxelena The Museum as Medium, 20 June 2008 - 3 January 2009 (another example exhibited)
Brescia, Pinacoteca Tosio Martinengo, Capolavori in corso, 30 November 2008 - 1 February 2009 (another example exhibited)
Thomas Struth: Photographs 1978 - 2010, exh. cat., Kunsthaus, Zurich; Kunstammlung Nordrheim-Westfalen, Dusseldorf; Whitechapel Gallery, London; Museu de Serralves, Museu de Contemporánea, Porto, 2010 - 2012 p. 221 (another example illustrated)
Thomas Struth is a German photographer best known for his large-scale, classically composed photos of museum, cityscapes, and family portraits. Struth is a prominent member of the Düsseldorf School of Photography, the group of artists who studied at the Kunstakademie Düsseldorf in the mid-1970s under influential photographers Bernd and Hilla Becher. Struth’s highly centralized, balanced photos incorporate cutting-edge photographic techniques and the tenets of classical composition to develop the documentarian aims of the Bechers.
Struth’s work has been widely celebrated by the international art community. He represented Germany at the 44th Venice Biennale in 1990 and has been the subject of major retrospectives including those at the Dallas Museum of Art, the Metropolitan Museum of Art, New York, and the Haus der Kunst, Munich. He lives and works in Berlin and New York.
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